This Producertech course is presented by Dale Anderson, one of the leading DJs and Producers in the house scene since 1998, with hit records on multiple compilations, including Ministry of Sound, Renaissance, Defected and Armada.
In this set of tutorials, Dale shows how to produce the classic anthem 'Makes Me Feel', originally created alongside Anil Chawla. After demonstrating how the main parts are put together, such as the beats, bass, pads and other accompaniments, there is a series of lessons that competently show how to create a professional-quality mix, covering the balancing, effects processing, sub-mixing and other essential stages required to achieve the necessary width and depth. The course ends with a bonus lesson, covering the musical theory behind the harmonies and chord progressions used in this style of classic, deep house.
Accompanying the lessons is a download pack, containing not only the Logic Project created in the tutorials, including all audio files and sampler presets, but also a bonus pack of Loopmasters audio samples.
In this lesson, Dale introduces the course and explains what the lessons will consist of, then carries out some basic setting up such as getting the tempo correct and configuring screensets.
In this module, Dale shows how the beats of the track are constructed, largely using different EXS24 instrument presets. After finding the right samples for the main drums and percussion, Dale sequences them, layers additional samples on top and makes sure the tuning is correct.
This lesson shows how to create the lush pads used in the track, which is initially done by working out the chords using one of EXS24's piano presets. After the MIDI regions are made, they are used to trigger ES2, stepping through some different pad presets until the right one is located and then edited to fine tune the sound.
This module shows how the bassline is created, by playing and then editing the MIDI notes, then selecting an appropriate sound for the track.
In this module, Dale shows how to create a shaker part, using various samples and delay effects. Then, a tuned percussion part is sequenced and processed with reverb to make the mix sound even larger.
In this lesson, Dale adds some additional lead and accompanying sounds, including strings, regular and electric piano, working out their melodies and chord progressions and then slotting them into the arrangement.
This lesson covers the adding of a flute part to the track, which is then processed, after which Dale works out the arrangement of the entire song.
In this lesson, Dale shows how to add different FX sounds to the arrangement, such as crashes and reverse crashes, noise sweeps and delayed noise, which are placed in the song to ease between sections and create extra emphasis at appropriate points.
This module shows how to start organising a session before beginning the mixing process, covering the reordering of tracks, colour coding, creating of a sidechain track and setting up of auxiliary channels for different groups of tracks in order to submix and process with send FX.
This lesson begins the mixing process, looking at how to create a basic balance of tracks, bringing the levels up one by one, whilst using EQ to shape parts and the Direction Mixer effect to adjust the width. Other inserts such as compressors and modulation effects like chorus are used to refine the mix further.
This third mixing module continues looking at how to polish the mix, by further adjusting levels, applying more compression and EQ to parts, then setting up two reverb buses of different sizes, which are added to different tracks in varying amounts.
This last mixing lesson shows how to add automation throughout the arrangement, to help with each transition, and checks the levels and effects processing on each track again, to ensure the highest quality final mix.
In this bonus module, Dale explains the chord progressions and harmonies used in the track, to help provide more of a musical understanding of how this style of deep house is produced.
FREE SAMPLE MODULE - Module 11 - Mixing Part III