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Trash 2 + Expansions

Distortion by iZotopeAlso available in a bundle

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"Trash’s distortion options are extensive and sound excellent, making it easy to create completely new sounds that are surprisingly usable and exciting."
. Attack is an electronic music magazine dedicated to impartial, independent insight, news and reviews on technology, technique and creativity.
"We are having a blast messing around with Trash 2 on our new album. The new UI is slick and it sounds heavier than ever. Loving the new algorithms."
. The Glitch Mob is a three-piece electronic music group from Los Angeles, California.
"We found the way Trash is laid out, it's some of the best programming in the realm of plug-in distortions."
. Atticus Ross is an English musician, composer and producer. Ross, along with Trent Reznor, won the Academy Award for Best Original Score for The Social Network in 2010.

Distort. Mangle. Transform

Trash 2’s multi-band, dual-stage distortions and advanced post-filtering enable immediate sonic transformation. Trash any track: not just guitars and basses, but drums, synths, pads, vocals, brass, woodwinds, and more.

Trash 2 offers dual distortion modules and a slew of multi-effects for creative, uninhibited music production and sound design. Chain two distortion algorithms in each frequency band for up to 8 different flavors of destruction. Choose from over 100 impulse responses with the Convolve module, explore new sonic dimensions with the Delay and Dynamics modules, or add movement to your audio using 2 Filters, each with 20+ evocative filter types to shape your tone.

Meet the Trash 2 modules

Multiband Trash Module

The heart of Trash is its dual-stage multiband waveshaping distortion—allowing you to chain pairs of distortions together for sonic manipulation. Split the signal into multiple bands and apply distortion independently to individual frequencies, each with their own custom waveshape. Use the new Waveform Trace to see exactly how you're mangling your waveforms in real-time, and DC offset filtering to keep them centred and on track. Be extreme or be benevolent: the power of audio annihilation is completely within your control.

  • Apply different distortion types to up to 4 frequency bands.
  • Chain two distortion algorithms for each frequency band for up to 8 different flavours of destruction.
  • Choose from over 60 different distortion algorithms. 
  • Design and edit your own distortions using the new graphic-based Waveshaper.
  • Filter each stage with the included Filter 2.
  • Further refine your distortions with the DC Offset Filter and Logarithmic Distortion modes.
  • Delay, Dynamics, and Output Limiter features.

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Filter Modules

Each stage offers 60+ gain algorithms for up to four independent frequency bands...

With distortion, tone is everything. Trash 2 gives you two new redesigned Filter modules to drive the frequencies you want into distortion or tame the ones you don't want. Shape the tone and make it your own with re-engineered Filter shapes and new Vowel Filters.

  • Experiment with 20+ sweepable filters for a variety of clean, juicy, and harsh tonal options.
  • Get twice the filter action with brand new Filter 1 and Filter 2 modules.
  • Add LFO and envelope modulation per node to get wahs, wubs, tremolos, and other sweeping effects. 
  • Let your Filter settings react dynamically to other incoming audio with new sidechaining support.
  • Put both Filter modules in parallel to achieve different combinations of filter settings simultaneously.
  • Delay, Dynamics and Output Limiter features.

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Convolve

Authentic spatial and object simulation...

Trash features extremely realistic amp, device, cabinet, effect and speaker convolution modeling, freeing you to place your audio into another space (or object) entirely. Choose from classics, combos, boutique models, and stacks, or play with creative synthetic impulses from a number of different sources. There's a tone and character for any situation—let Trash bring you outside the box with telephones, clock radios, sheet metal, plexiglass tubes, piano cabinets, tin cans, and more.

Still want more? You're in luck! With the Convolve module, you can teleport your sound wherever you please by loading in your own audio files.

  • Explore over 100 redesigned Impulse Responses, to capture the audio characteristics of another space or object. 
  • Load your own custom Impulse Response using any .wav or .aiff file.
  • Adjust stereo width and placement using stereo imaging controls.

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Multiband Dynamics Module

Fully-equipped compressors and gates are available for up to four frequency bands...

Controlling distortion goes far beyond simple filtering and limiting. To get the most out of your tracks, Trash 2 includes a multiband Compressor and Noise Gate to squash the peaks, add grit and character, silence the noise, or draw out sustain. With the addition of sidechaining support, multiband processing, and an updated compression algorithm, the Dynamics module is sure to be among the most powerful tools in Trash 2.

  • Get analogue-modelled and grit-filled compression and gating from the redesigned Dynamics module.
  • Apply Dynamics to different frequency ranges independently with 4-band Multiband support.
  • Trigger the Compressor or Gate via external sources with sidechaining support–even to individual frequency bands in Multiband mode.
  • Keep an eye on extensive Dynamics metering for immediate visual feedback. 
  • Determine exactly which frequencies trigger Dynamics processing using the new Detection Filter, or exploit the Filter's resonance for more creative applications of compression.
  • Dig deeper into additional Dynamics options like Hard or Soft Knee compression, RMS or Peak level detection, and Auto-Gain compensation.

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Delay

Six different delay types offer even more sonic possibilities for your audio...

Unlock even more potential for texture and space with Trash's Delay module.  With a selection of tape, tape/tube, analog, digital and lo-fi digital delay types, input filtering, the ability to add additional distortion and width, along with parallel controls, Trash 2's Delay module can add that final finishing touch, or take your sound out of this world.

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Output Limiter

Unyielding final level control...

Trash 2's built-in limiter helps you control the chaos and prevent output clipping. It comes loaded with a steadfast output Limiter to help you tame dramatic distortion effects and prevent sound degradation from analog clipping. In short, the Limiter allows you the peace of mind to tweak and distort to your heart’s content, without having to worry about blowing up your speakers. Multiple behaviour options in the Options menu allow you to tweak and alter the timbre and performance of the Limiter:

  • Quiet: A transparent limiting with neutral character and slower release times
  • Loud: More aggressive limiting while still keeping transparent as possible and medium release times
  • Clipping: Aggressive limiting with very short release times

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Expansion Libraries

Increase your distortion potential with new presets and impulses in our versatile Expansion Packs, each designed for exclusive with Trash 2.

Classic Textures

Trash 2 can unleash sonic mayhem on any signal that runs through it, but with that power comes great responsibility. With a sophisticated sense of restraint, Classic Textures is Trash 2's most responsible pack yet. Explore 30+ new impulses, from dark vinyl to classroom projectors to crackling fires, and discover a wide palette to gently texturize any track. Or, choose from 70 new presets to coat your mix in everything from 80's synth grit to warm wax to earthy, retro moods. It's easy to get a feel for Classic Textures—give your sound the subtle nuance it deserves.

Features:

A Sampling of 30+ Impulses:

  • 1940s Explosion, Reel To Reel, Classic Film, Gas Burner, Lo Fi Arcade...

A Peek at 70 Patches:

  • UV Harmonics, Old Tele, Mason Jar, Fuzz Factor, Vintage Soundtrack, Cassette...

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Trash 2 Expansion: Edge

The Edge Expansion Pack is full of extra-exotic and extra-gritty presets for a broad range of sonic treatments, perfect for unconventional guitars, synth basses, synth pads, drum mangling, and more. Bit-crushed, filtered, and filled with an extra-dirty vibe, the Edge Expansion presets offer a more angular, vintage, and experimental "edge" to your Trash 2 experience. With 30 new Impulse Responses for further tone colouring and 70 new Presets built directly for these impulses, the Edge Expansion content was born to bring out the best of Trash 2's warm, jagged, nasty, subtle, classic, out-there sound.

Features

A Sampling of 30+ Impulses:

  • Voodoo, Muck, Gravel, Big Wheel, Magnum, Taxicab, Powerman, Ignite...

A Peek at 70 Patches:

  • Electric Blaze, Hard Cider, Parasite, Filter Shred, Bleached, Ugly Couch...

System Requirements

Operating Systems:

  • Mac: OS X 10.8.5 Mountain Lion – macOS 11 Big Sur
  • *Intel-based Apple computers only (not yet ARM / M1)
  • PC: Win XP (32–bit Service Pack 3) – Win 10

Plug-in Formats:

  • AAX (64–bit), AU, RTAS (32–bit), VST, VST3

Supported Hosts:

  • Ableton Live 9–10, Cubase 9.5, Digital Performer 9, FL Studio 12, Logic Pro X, Nuendo 8, Pro Tools 10–12, Reaper 5, Reason 10, Studio One 3–4

Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.

Awards

Product Reviews

  • iZotope Trash 2 Review At Music Tech

    The original Trash was one of iZotope’s earliest plug-in effects, featuring filters, an impulse response module and a toolbox of distortions...

  • iZotope Trash 2 Review At DJ Mag

    iZotope’s Trash has been around for 10 years. First released in 2003, it has gone on to stand the test of time, being used on various dancefloor...

  • iZotope Review Trash 2 Review At Attack

    Version 1 of iZotope’s Trash lasted ten years without a major update. We put the newly updated distortion plugin to the test. It’s difficult to...

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