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W.A Production Summer Bundle

FX Bundle by W.A Production

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Are you ready to take full control over your sound? Then let your audio quality soar to revolutionary new heights with the W. A. Production Pumping Summer Bundle. Featuring five production-ready plugins, the collection of tools will allow you to compose, compress, saturate and produce your sounds to complete perfection.

The Summer Bundle by W. A. Production will not only give you total tonal control, but it will also make your mix a true summer scorcher. The Summer Bundle is a Plugin Boutique exclusive offer and will only be available for a limited time.

They’ve done it again… after the release of “Pumper” W.A wanted to step up their game and give you even more control over the punch and power of your sounds. The sequel, Pumper 2, has been long in development as their team toiled away to retain the stellar performance parameters of the original plugin whilst adding new features. The end result is a multi-effect powerhouse that achieves the level of immediacy, body and depth that W.A Production fans expect and their tracks deserve.

This is their most requested update ever and builds on the Compressor, Saturator and Stereo Imager modules of the original whilst adding more controls to fine tune the processing.

Features

  • 50 Creative Presets for drums, vocals, synth, bass, acoustic, keys and mastering
  • 4 Compression types with adjustable RMS
  • One-click parallel compression
  • Hard & soft clip saturation with transient and character controls
  • Stereo Imager with frequency focus
  • Per-module and master gain controls
  • Real-time waveform display
  • Full PDF Manual & Tutorial video

Learn more about Pumper 2.

Whether you’re mixing live sound, smoothing vocals or balancing solo instruments, Outlaw is the gain-riding plugin you’ve been looking for. Outlaw listens to the incoming audio and compensates for volume changes, mimicking the mixing desk fader movement of a real-life audio engineer. Forget about drawing complex volume automation and let Outlaw do the hard work for you, with smooth gain levelling and a wealth of features.

Features

  • Mix: mixes is the gain riding.
  • Target: sets the rms target of the gain-rider.
  • Gate: allows user to set a gate level that is relative to the TARGET level, to have the gain-rider ignore softer sounds.
  • HPF/LPF/Slope: Let you filter away the highs and lows in the detection signal with variable slopes so you can, for example, ignore the low rumble in a speech or vocal recording, or ignore the high attack and finger noises of a bass recording.
  • Attack/Release/Direction: Let you apply additional attack and release to the gain-riding so you can let through the signals peaks or smooth out the signals tails. With the DIRECTION control you can set the direction of the ATTACK and RELEASE which is helpful depending on if the general gain produced is upwards, downwards or goes in two directions.
  • Max Up/Max Down/Instant/Zero/RMS: The MAX UP and MAX DOWN let you set the maximum gain that is applied up and down, which gives you more control over how extreme the gain-riding is allowed to be. Low values sound subtle. High values sound erratic. The RMS control lets you pick between slow, medium or fast rms-detection, which determines how quickly the plugin reacts to the incoming signal. INSTANT option is very fast and ZERO has 0ms RMS time.

Learn more about Outlaw.

W.A. Production has created the perfect way to approach and achieve proper compression. All producers know compression can either be an award-winning tool if used properly, or it can totally destroy your mix. Audio students are introduced to compression and most are left confused or scared to death of it. SphereComp is capable of catering to the seasoned pro and the beginner. To get the same results you get with SphereComp you would have to spend thousands of dollars in high-end rack gear, invest time getting acquainted, making adjustments over and over until you get the result you want. Not to mention installation and routing your patch bay. Breathe a sigh of relief. Don't dread compression. Embrace it.

Features

  • Input – Control the input gain by +/- 15dB.
  • Threshold – Threshold (dB), when the signal level exceeds the threshold the compressor goes into action.
  • Ratio – (ratio/1) As an example, a 3:1 ratio means that for every 3dB the input signal exceeds the threshold, only 1dB will be allowed to pass by the compressor.
  • Output – Control the output gain by +/- 15dB.
  • Buss – Switch between Regular mode (peak compression) and Buss mode (RMS compression).
  • Attack – Time in milliseconds that it will take for the compressor to reach its destination gain reduction after the signal has crossed the threshold.
  • Release – Time in milliseconds that it will take for the compressor to reach 0 gain reduction after the signal returned below the threshold.
  • Auto Gain – Auto Gain matches the output volume to input volume automatically.
  • Stereo – Switch between stereo and mono modes.
  • Punch – Parallel processing to add punch to the signal before the compression stage.
  • Saturate – Add tube style saturation to the compressed signal.
  • Clean – Make the compressor sound as clean as possible. If Punch or Saturate is on, it will reduce their effect giving you different timbre options.
  • Side Chain – Signal from the right channel input goes to the detector and the signal from the left channel input goes to the compressor.
  • Soft Clipping – Use to round the signal when it approaches 0.0dB and ensures it does not exceed it.
  • Bypass – Allows you to engage and disengage the compressor.
  • Dry/Wet – Mixes between the processed signal and the input signal creating a parallel compression effect, which leaves the peaks untouched while boosting the lower part of the signal.

Learn more about SphereComp.

At W. A. Production they’re always looking for clever ways to add movement and excitement to their tracks. However, it’s tiresome to keep loading up the same effects chains again and again. This is why they created SphereQuad as an easy and extremely flexible solution for bringing complex rhythmic movement, filter sweeps and stereo madness to your mixes.

Features

  • 64 Creative Presets for one-click transformations
  • Stereo Flanger, Phaser & Chorus modules with multiple parameters
  • Mixer & Output controls with Saturation module
  • Flexible signal routing between all modules
  • 16 Step Sequencer
  • Independent left and right filter modules for true stereo manipulation
  • Sync to BPM
  • Real-time waveform display corresponding to the filter cutoff
  • Full PDF Manual

Learn more about SphereQuad.

Instascale is a newly invented, scale oriented instrument with only 16 keys to play with. But wait, is that enough? Turns out it's more than enough. Unlike the standard keyboard instruments where each key can only play a single note, Instascale has a set of smart keys, each one capable of playing different notes. The new note will be based on the given scale, last note's position and the action of the key assigned to it.

Instascale is available as a MIDI processor plugin that can be used in any DAW that supports VST instrument plugins (with MIDI routing) or AU MIDI effect plugins, given you the freedom to play any instrument you choose without any limitations regarding the sound and hardware.

Features

  • Relative Playing. Experience the idea of relative notes and new possibilities to play musical instruments.
  • Scales. A list of commonly known and used scales such as Major, Minor, Melodic Minor, Harmonic Minor, Spanish, Arabic, Major Pentatonic, Minor Pentatonic, Blues, In Sen, Hirajoshi and more.
  • User-friendly Interface: There are a lot of elements on the interface such as different readouts, virtual keyboards and graphics which help the user have a better experience and get the most out of the plugin.
  • Edit or Add Scales. Users can edit existing scales or add their own scales (Full version only).
  • Home Note. The home note can be changed from the root to any other note on the scale making it possible to play different modes or accompany chord changes.
  • Playing Keys with lots of options. For each of the 16 playing keys, there are two menus. The mapping menu, and the action menu. First one determines where the key is placed  on the controller, and includes a list of MIDI notes. The second menu determines what the key does and includes some static and some relative options like 'Home', 'Repeat', '+1', etc. You can read more about the playing keys in the manual.
  • Control Keys. There are several control keys that can be set and used to improve live performance. These keys provide an easy access to control and change the scale, octave, root and home parameters using midi notes on the controller.
  • Root -/+, Scale -/+, Home -/+, Octave -/+. When assigned to a midi note, these keys can be used to change the Key(root), Scale, Home Note and Octave by switching up or down the values.
  • Scale, Root, Home, Octave Switch keys. These assign a series of midi notes to be used to switch between specific values just by hitting a single note. For example by setting Root Switch to 'C2-B2', C2 on the controller will set the key to C, C# will set the key to C# and so on.
  • Poly: Multiple notes can be played simultaneously. Same notes can be stacked on top of each other to build chords. For example in C major, Home key plus two stacked +2 key will produce C major chord (C+E+G). The order of notes are important. So even if you're using MIDI editor in your DAW and placing them at the same point in time or even on top of each other, the first note created will be the first one processed and so the second note's value is based on the first ones.
  • Octave Shifter: Shifts the output octave up and down. Input octave can also be shifted to a more preferable playing position or to match the host's labels, using 'C2' menu.
  • Pass through mode: By changing the mode to pass through, users can bypass the plugin play the target instrument normally.
  • Map Playing and Control Keys: Instascale allows users to change the default settings and map all the keys to desired midi notes. Different keys can have the same offset value making it possible to set interesting playing modes.
  • User's manual, online tutorials and support. To get started and learn more about the plugin you can check out the manual and video tutorials. You can always contact us if you had any questions.

System Requirements

Pumper 2, Outlaw, SphereComp & SphereQuad

  • Windows 7 or higher (32 / 64 bit)
  • Mac OSX 10.5 or higher (32 / 64 bit)
  • VST & AU (AAX / ProTools Not Supported)

InstaScale

  • Windows 7 and later (32/64 bit), VST
  • OSX 10.7. and later (32/64 bit), VST & AU
  • The plugin might work on older versions too, but it's not guaranteed.

Compatibility

  • Instascale can be used on any software that supports VST plugins with MIDI routing or AU MIDI effect type. But to make sure it's compatible with yours please try the demo version before you buy (only C Major scale is available in demo version).

Installation and Setup

  • The installation instruction will be included in the downloaded package and manual.

Tested OK on:

Windows

  • FL Studio 12
  • Cubase 9.5
  • Studio One 3
  • Ableton Live 9

Mac

  • Cubase 9.5
  • Studio One 3
  • Ableton Live 9
  • Logic Pro X

Incompatible

  • Maschine 2 (Win / Mac) No MIDI routing
  • Reason (Win / Mac) No MIDI routing

Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.

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