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Audiority Effects Plugin Bundle

FX Bundle by Audiority

Classic FX

This bundle includes ALL Audiority effects plugins. Explore Audiority's unique intuitive and deep approach to emulations of the most well respected and well-known effects.

Big Goat

Big Goat is an analog modelled simulation of one of the greatest fuzzbox ever made in the mid ‘70s and used in countless records.

The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.


  • Independent Volume, Tone and Sustain controls
  • Pre and Post effect gain
  • Mix control
  • Resizable interface

Learn more about and download the trial version of Big Goat.

Blue Face

Blue Face is an analog modeled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ‘60s. This is one of the best-known fuzz pedals ever made, used to fully blast amplifiers tube stages.

Audiority modified the original circuit to get more bite even at minimum settings.


  • Independent Volume and Fuzz controls
  • Pre and Post effect gain
  • Mix control
  • Resizable interface

Learn more about and download the trial version of Blue Face.


Deleight is a stereo multi tap delay processor based on late ’90s digital delays hardware processors.

Deleight can deliver multiple delay-based effects, ranging from simple echoes to multi-voice choruses, flangers, doublers, early reverbs and more. Enable Loop mode to set Deleight as a looper device, with Speed and Reverse controls, to create special effects and textures.


  • Stereo Multi Tap Delay (4+4 Taps)
  • Delay Buffer of 5 seconds
  • 7 Time Ranges
  • Tempo Sync
  • Left, Right and Feedback channels
  • Normal and Cross channel feedback modes
  • LFO with 11 waveforms
  • Channel Linking
  • Loop Mode (with Speed and Reverse controls)
  • Resizeable User Interface

Learn more about and download the trial version of Deleight.

Distortion 1

Distortion 1 is an analogue modelled simulation of an iconic distortion stompbox introduced in the late ‘70s and behind the signature sound of many guitar legends.


  • Independent Tone, Distortion and Level controls
  • Pre and Post effect gain
  • Mix control
  • Noise Gate
  • 8 different circuit types
  • Resizable interface

New in Version 1.1

  • NEW: 8 different pedal circuits
  • NEW: Noise Gate
  • NEW: HQ Mode
  • NEW: Notifications System
  • NEW: VST3 plugin format
  • NEW: Mac OSX 10.15 Catalina support (64-bit only)

Learn more about and download the trial version of Distortion 1.

Echoes T7E

Echoes T7E is a faithful recreation of a vintage tube magnetic echo made in Italy in the early ‘60s. This echo effect unit is based on a magnetic spinning drum with both record and playback heads arranged around a recording wire wound around the drum circumference. This solution provides better stability over the usual tape transport with reduced wow and flutter.

Since the main “core” of this effect is based on the above mechanism, we modelled both the mechanics and the electronics. Echoes T7E also provides 3 different playback modes allowing you to set different spinning speed or ever synchronize it to your host tempo extending the original delay length from ~310ms up to ~1100ms.


  • Analog Modeled Vintage Tube Echo
  • 3 Playback Modes: Classic, Varispeed and Sync
  • 4 Playback Heads (equally spaced)
  • EM81 “Magic Eye” Tube Level Indicator
  • 3 Echo Modes: Echo, Repeat and Swell
  • 12 Heads combinations
  • Tone, Error and Volume controls for each head
  • Independent panning for each head
  • Stereo Spread
  • Heads Pan Law
  • Magnetic Drum Age and Speed settings
  • Internal hum noise (for increased realism and self-oscillation)
  • Input Tube Low Cut
  • PE 603 style head switching matrix (NEW v2.0)
  • Delay Extension (up to 11s with Speed at minimum) (NEW v2.0)
  • Pre-amp mode (with Delay Extension set to 0) (NEW v2.0)
  • Output Booster (NEW v2.0)
  • Speed Filter (NEW v2.0)
  • Lite Mode (NEW v2.0)

Learn more about and download the trial version of Echoes T7E.


GrainSpace is a granular processor focused on real-time granularization and reverberation of the incoming audio signal.

GrainSpace provides dynamic grain generation (up to 32 per channel), 7 grain parameters, 4 grain modulators (including two 11 waveforms LFO), smearing, chord resonator and reverb to create crazy sound effects, rich textures and much more.


  • Real-Time Granular Engine
  • Recording Buffer of 2 seconds
  • Playback modes: Stereo, Mono (L+R), Side
  • Up to 32 grains per channel
  • Grain Size up to 500ms
  • 7 Grain Parameters (Size, Distance, Pitch, Feedback, Freeze, Position and Stretch)
  • 4 Grain Modulators (2 x LFO, 2 x Random Generators)
  • Tempo sync’d LFO with 11 waveforms
  • Smearing
  • Chord Resonator
  • Reverb

New in Version 2.0

  • Reworked graphic interface
  • Grain Filters
  • HQ interpolation (switch on toolbar)
  • More modulations
  • Chord Resonator
  • Resizable GUI

Learn more about and download the trial version of GrainSpace.

Green Reaper GR9

The first incarnation of the Tube Screamer series, the TS-808, was first released in the 1979 and hand-wired by MAXON® engineers, who have been Ibanez’s production partners until 2002.

This pedal quickly became wildly popular due to its ability to deliver one of the smoothest and most responsive overdrive tones ever with just three controls. That’s why, still today, this is one of the most cloned and modified pedals ever.

Audiority carefully modelled the original pedal and added some goodies, including several modified versions of the circuit, to further shape your guitar tone.


  • Analog Modelled Overdrive
  • Drive, Tone and Level controls
  • Pre and Post effect gain
  • Mix control
  • Noise Gate
  • 12 different circuit types
  • “To Amp” output mode
  • Resizable interface

Learn more about and download the trial version of Green Reaper GR9.

Harmonic Maximizer

Harmonic Maximizer is a multi-band exciter and loudness shaping plugin that will make your tracks powerful and more alive.


  • Multi-band Exciter
  • Loudness Maximizer
  • Auto Gain + Auto Release
  • Saturation
  • Blending

Learn more about and download the trial version of Harmonic Maximizer.

Heavy Pedal

Heavy Pedal is a faithful analog modeled simulation of the infamous Swedish Chainsaw distortion stompbox introduced in the mid 80s and that sculpted the guitar tone of many metal guitarists. This high gain pedal is definitely the dark side in the panorama of distortion pedals.


  • Independent Tone, Distortion and Level controls
  • Pre and Post effect gain
  • Mix control
  • Noise Gate
  • Resizable interface

Learn more about and download the trial version of Heavy Pedal.

LDC2 Compander

LDC2 is an analog modelled optical compressor and expander with exchangeable optical circuits, solid-state preamplifier and output stage, giving you a unique compression character.

LDC2 provides smooth and warm dynamics processing for tracking, mixing, mastering and live performances.


  • 17 real-time optical circuit models
  • Fixed ratio (4:1) Optical Compressor
  • Maximum compressor gain reduction: 40dB
  • Fixed ratio (3:1) Optical Expander
  • Maximum expander gain reduction: 30dB
  • Independent side-chain gain and high-pass filters
  • Diode based preamplifier

Learn more about and download the trial version of LDC2 Compander.


PlexiTape is a faithful analog modeled simulation of a vintage tape echo that made THE SOUND of the ’70s for its tone and reliability. Audiority put special care on modelling this unit on every aspect: motor, tape, FET preamplifier, heads and even the infamous “Sound On Sound”. SOS allows you to use bypass the echo and therefore use the tape as a looping recorder. Furthermore, Audiority expanded it with new features including a full stereo double delay line, tempo sync and more.


  • Analog Modeled Vintage Solid State Tape Echo
  • Auxiliary Echo with Echo Pan for full stereo effects
  • 3 Echo Modes: Echo, Off (Preamp + Tape colour only) and Sound On Sound
  • 2 FET Preamp models: Early and Late
  • 2 Playback Modes: Regular (with Varispeed) and Sync
  • Varispeed from 3 to 15 IPS
  • Echo Tone equalizer
  • Internal hum noise (fully adjustable, for increased realism and self oscillation)
  • Resizable interface

Learn more about and download the trial version of PlexiTape.


Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line.

When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and all-pass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable.

That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.

We extended this technique by making the Echo tap recirculating with the Diffusion section, allowing longer reverb tails. Furthermore, you can easily edit all taps to create your own room responses, resonant combs, Karplus-like tuned delay lines, Chorus, Flanging, Vibrato and much more.

From v1.1 Audiority introduced new features like Shimmer, internal Sample Rate reduction (useful to get a vintage digital sound) and Stereo Width (Ping Pong delay).

From v1.3 Audiority introduced a Swell feature that will smooth the transients of the incoming signal, with its attack time automatically matching the delay time. This new feature works great for ambient guitars, intense endless pads and much more.

From v1.5 Audiority introduced Pre-Delay, Modulation Boost and a 3 Band Feedback Equalizer on the new Echo editor page.


  • Single Multitap Delay Line
  • Pre-Delay (NEW v1.5)
  • Early Reflections (8 Programmable Taps)
  • Diffusion (16 Programmable Modulated Taps)
  • Echo (Ms, Sync, Tuned, Long)
  • Echo Modulation
  • Modulation Boost (NEW v1.5)
  • 3 Band Feedback Equalizer (NEW v1.5)
  • LFO (Sin/Tri/Rnd – Hz, Sync)
  • Shimmer
  • Sample Rate Reduction
  • Stereo Width
  • Swell

Learn more about and download the trial version of Polaris.

Pre X7

Pre X7 is an analog modelled preamplifier based on an iconic vintage tube unit primarily designed for bass guitar and that we modified to make it work with several audio sources.

Both input and output 12AX7 tube models are calculated in real-time, bringing you all the subtle non-linearities that will make each instance of this plugin unique without phase issues. A high-pass filter followed by a Tone control lets you shape the input signal before the output tubes. Furthermore, we included a brickwall clipping limiter to help you retain the distortion on extreme settings.


  • Real-time 12AX7 tube models
  • 4 steps Low Cut (pre or post input tube)
  • Input/Output Linking
  • Baxandall tone control
  • Boost, Pad and Phase switches
  • Brickwall clipping limiter

Learn more about and download the trial version of Pre X7.

Side Filter

Side Filter is a High-Pass filter focused on removing bass frequencies from the Side portion of a stereo mix. This filter is very useful to tighten up the low end of your mix or to help you prepare a vinyl-ready master.

Low Filter is now Included - a Simple yet elegant general purpose High-Pass filter


Side Filter Features:

  • Butterworth and Bessel filter designs
  • HPF Frequency range: 12 steps from 12Hz to 1kHz
  • 12db and 24dB slopes
  • Side solo

Low Filter Features:

  • Butterworth and Bessel filter designs
  • HPF Frequency Range: 12 steps from 12Hz to 1kHz
  • 6db, 12dB, 18dB and 24dB slopes

Learn more about and download the trial version of Side Filter.

Solidus VS8100

Solidus VS8100 is an analogue simulation of the iconic Marshall® Valvestate™ 8100, solid-state amplifier from 1991.

The original head was the first incarnation of the Valvestate™ series, a solid-state amplifier with a 12AX7 tube as a driver for the distorted channel tone stack, which defined the history of death metal through the 90s. It featured two channels: a Normal channel, for clean guitars, and a Boost channel for distortions.

Audiority carefully modelled the original amplifier and added some goodies to further shape your guitar tone: a noise gate, an EQ/Booster (to make your own custom clean booster), a post-amp 5 band EQ and a Cab Loader.

Integrated cabinets provided by Dr Bonkers Sound Lab and


  • Analog Modelled Solid State Amplifier
  • 2 Channels (Normal/Boost)
  • Normal Channel modes: Clean; Crunch
  • Boost Channel modes: OD1; OD2
  • Noise Gate
  • Customizable Clean Boost (10 Band EQ → Booster)
  • Post Amp 5 Band Equalizer
  • Integrated Cabinet Simulator
  • Resizable interface

Learn more about and download the trial version of Solidus VS8100.

The Abuser

The Abuser is an aggressive distortion effect ideal to give you a unique sound to your guitars, bass, synthesizers, drums and much more. We programmed a rich sounding distortion to fit in both vintage and modern music styles.


  • 11 Distortion Algorithms
  • 2 Amplification stages
  • Tone Control
  • 2 Clipping circuits
  • 2 Playback Modes: Regular (with Varispeed) and Sync
  • Envelope Follower for dynamic distortion
  • Feedback

Learn more about and download the trial version of The Abuser.

TS-1 Transient Shaper

TS-1 is a multimode frequency dependent transient shaper designed to manage the attack and sustain of an incoming audio signal. Thanks to our “Compression by Saturation” concept, TS-1 works great to add warmth and punch to your drum tracks without losing dynamics.

TS-1 features two separate detection circuits for Attack and Sustain, whose signals can be filtered to improve the detection (SC filtering) or to color the processed audio. A soft clipping circuit will gently saturate and “compress” your signal, in a similar way to a tape saturation

Starting with version 1.1, TS-1 now features two distinct modes named Type A and Type B. While Type A retains the original TS-1 algorithm, Type B is a brand new one featuring inverse envelope curves on negative gain values.

Learn more about and download the trial version of TS-1 Transient Shaper.

Tube Modulator

Tube Modulator is a collection of several tremolo, vibrato and spatial position effect circuits ranging from the late ‘50s tube bias tremolo to the late ‘60s psychedelic vibe pedals.

Tube Modulator spatial effects includes a panner, a rotary speaker and a wide stereo “wow & flutter” simulators.
A wide XY scope will show you the current amplitude and spatial position modulation to get instant feedback from your settings.

Tube Modulator is Colored by Design, adding a great amount of warmth and color to your signal.


  • 7 Tremolo / Vibrato modes
  • 3 Spatial Position effects
  • 11 Waveforms LFO
  • XY Scope
  • Parameters Linking
  • Tempo Sync
  • Coloured by Design

Learn more about and download the trial version of Tube Modulator.


XenoVerb is a versatile reverb processor featuring both classic and creative reverb algorithms delivering a wide range of reverbs with a clean and simple interface.


  • 10 Reverb Algorithms:
  • Room, Hall, Plate 1, Plate 2, Springy, Glass, Flow, Shimmer, Bode, Formant
  • Over 250 presets
  • Pre Delay
  • Diffusion
  • Modulation
  • Tone Control
  • Reverb Freeze
  • Soft Limiter

Learn more about and download the trial version of XenoVerb.

System Requirements

  • Windows 7 or later
  • Intel i5 or equivalent
  • 2GB RAM
  • Screen resolution: 1024×768
  • VST2, VST3, AAX 32-bit or 64-bit host


  • OSX 10.8 or later
  • Core Duo 2GHz
  • 2GB RAM
  • Screen resolution: 1024×768
  • VST2, VST3, AU and AAX 32-bit or 64-bit host


  • Big Goat (VST, AU, AAX)
  • Blue Face (VST, AU, AAX)
  • Deleight (VST, AU, AAX)
  • Distortion 1 (64bit only; VST2, VST3, AU, AAX)
  • Echoes T7E mkII (64bit only; VST2, VST3, AU, AAX)
  • GrainSpace v2 (VST, AU, AAX)
  • Green Reaper (64bit only; VST2, VST3, AU, AAX)
  • Harmonic Maximizer (VST, AU, AAX)
  • Heavy Pedal (64bit only; VST2, VST3, AU, AAX)
  • LDC2 Compander (64bit only; VST2, VST3, AU, AAX)
  • PlexiTape (64bit only; VST2, VST3, AU, AAX)
  • Polaris Echo / Reverb (64bit only; VST2, VST3, AU, AAX)
  • Pre X7 (64bit only; VST2, VST3, AU, AAX)
  • Side Filter (VST, AU, AAX)
  • Solidus VS8100 (64bit only; VST2, VST3, AU, AAX)
  • The Abuser (64bit only; VST2, VST3, AU, AAX)
  • TS-1 Transient Shaper (VST, AU, AAX)
  • Tube Modulator (VST, AU, AAX)
  • XenoVerb (VST, AU, AAX)

Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.

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