Audiority Effects Plugin Bundle

A Classic FX Collection

This bundle includes ALL Audiority effects plugins. Explore Audiority's unique intuitive and deep approach to emulations of the most well-respected and well-known effects.

Chorus Ensembler

The Chorus Ensembler is a faithful simulation of the Boss® CE-1™, a mid 70’s BBD chorus and vibrato pedal.

This is the first product Roland® marketed as Boss®, becoming one of the most sought-after pedals thanks to its warm and organic character.

Features

• BBD Analog Chorus/Vibrato simulation
• Chorus Intensity
• Vibrato Rate and Depth
• Input Impedance
• Preamp only/Effect operative modes
• Tempo Sync
• Classic or Full Stereo modes
• Stereo Spread
• Pre and Post effect gain
• Mix control
• Resizable interface

Learn more about Chorus Ensembler.

Electric Matter

Electric Matter is a faithful simulation of the Electro-Harmonix® Deluxe Electric Mistress™, a late 70’s BBD flanger and filter matrix pedal.

This flanger, featuring a Reticon SAD1024 BBD chip, has been used by countless artists for either subtle, to make leads dreamy and divine, or more prominent to emulate Leslie rotors.

Features

• BBD Analog Flanger Simulation
• Color, Range and Rate Controls
• Filter Matrix Mode
• Tempo Sync
• Pre and Post-Effect Gain
• Mix Control
• Resizable Interface

Learn more about Electric Matter.

Dark Memory

Vintage BBD Echo / Chorus

Underclocked BBD

The Dark Memory is a faithful simulation of the Electro-Harmonix® Memory Man™ EH7810, a late 70’s BBD echo and chorus pedal. 

This “economy” version of the Memory Man™ features an under-clocked 1024-stages BBD chip, delivering a very dark and characterful delay sound.

Audiority went further and added their classic STEREO mode, where L/R output phases are 180° apart from each other, a DELAY EXTENSION that replaces the factory BBD chip with a 4096-stages one, increasing the delay time up to 4 seconds, and more.

Features

• BBD Analog Delay/Chorus simulation

• Authentic emulation with reduced bandwidth (according to delay time)

• Delay Time (MN3005 up to 310ms – RD5108A up to 4s)

• Feedback and Blend

• Boost

• Delay Extension

• Tempo Sync

• Vintage Stereo mode

• Modulation

• Stereo Spread

• Ducking

• Pre and Post effect gain

• Mix control

• Resizable interface

Learn more about Dark Memory.

Klirrton Grindstein

Precisely modelled in collaboration with Klirrton Manufaktur and producer Kristian Kohle from Kohlekeller Studio, the Grindstein is the official analog modelled simulation suite of their ultimate death metal preamp, along with the cutting-edge Schnauze noise gate and the new Fleisch equalizer.

Dirty and fuzzy death metal tones from the 90s into the modern age, from a ripping chainsaw to a more modern and tight sound with just a touch of grind.

Features

• Faithfully modelled on original hardware
• Two mixable channels (Bottomshaker and Chainsaw)
• Built-in boost based on Lichtbringer circuit
• Phase switch for out-of-phase super-grindy sound
• 3 band EQ on the Chainsaw channel and 2 band EQ on the Bottomshaker
• Noise Gate based on Schnauze circuit
• 5 band Fleisch EQ, with carefully selected boost and cut bands
• Cab simulator with 7 speaker combinations selected by Kris Kohle

Learn more about Klirrton Grindstein.

Space Station UM282

The Space Station UM282 is a faithful simulation of the Ursa Major Space Station SST-282, an early 80’s echo and reverb unit.

Unlike other reverberation devices from that era, the Space Station used delay techniques to transform a mono signal into a new reverberated stereo signal.

Where traditional delay units of the past have only one or two taps, the Space Station has many: 8 taps are used for listening and the others are used to synthesize the reverberation. That’s why the Space Station has been the secret weapon of many producers and engineers over the years.

Features

• Single Multi-tap Delay Line
• 8 Audition Taps
• 16 Audition Delay Programs
• Up to 255ms delay time (extendable to 2.55 secs)
• Up to 3.5s reverb time
• Reduced bandwidth (20Hz-7kHz)
• Echo Sync
• Full Stereo Mode
• Echo Only Mode
• Delay Extension
• Ducking
• Resizable interface

Learn more about Space Station UM282.

The Overseer

The Overseer is an analog modelled simulation of the vintage *Marshall® Guv’nor™, overdrive stompbox introduced in the 80s to replicate the drive tone of the Plexi™ and JCM800™ amps.

The Guv’nor has been in production from ‘88 to ‘91 and it was the first “amp in a box” series of pedals that Marshall released during the ‘90s.

Furthermore, Audiority added new exciting mods to the original circuit for more tonal possibilities!

Features

• Gain, Bass, Mid, Treble and Level Controls
• Pre and Post-Effect Gain
• Mix Control
• Noise Gate
• 5 Different Pedal Circuits
• Resizable Interface

Learn more about The Overseer.

The Bluesman

The Bluesman is an analog modelled simulation of the vintage *Marshall® Blues Breaker™, low gain overdrive stompbox introduced in the 90s to replicate the tone of the 1962 Blues Breaker amp.

The Bluesbreaker has been introduced in ‘91, along with the Drivemaster and the Shredmaster. Its round and smooth overdrive made this pedal one of the most sought-after stompboxes by vintage gear collectors and boutique pedal designers.

Furthermore, Audiority added new exciting mods to the original circuit for more tonal possibilities!

Features

• Gain, Tone and Level controls
• Pre and Post-Effect Gain
• Mix Control
• Noise Gate
• 3 Different Pedal Circuits
• Resizable Interface

Learn more about The Bluesman.

The Driver

The Driver is an analog modelled simulation of the vintage *Marshall® Drivemaster™, overdrive stompbox introduced in the 90s to replicate the drive tone of the JCM800™ amp.

The Drivemaster has been introduced in ‘91, along with the Bluesbreaker and the Shredmaster, as part of their “amp in a box” series.

Furthermore, Audiority added new exciting mods to the original circuit for more tonal possibilities!

Features

• Gain, Tone and Level Controls
• Pre and Post-Effect Gain
• Mix Control
• Noise Gate
• 4 Different Pedal Circuits
• Resizable Interface

Learn more about The Driver.

The Shredder

The Shredder is an analog modelled simulation of the vintage *Marshall® Shredmaster™, overdrive stompbox introduced in the 90s to provide the high gain distortion of a tube amplifier.

The Shredmaster has been introduced in ‘91, along with the Bluesbreaker and the Drivemaster, as part of their “amp in a box” series.

Furthermore, Audiority added new exciting mods to the original circuit for more tonal possibilities!

Features

• Gain, Tone and Level Controls
• Pre and Post-Effect Gain
• Mix Control
• Noise Gate
• 3 Different Pedal Circuits
• Resizable Interface

Learn more about The Shredder.

PolyComp

PolyComp is an analogue simulation inspired by a classic mastering multiband compressor.

The PolyComp is a versatile dynamic processor, providing three bands of VCA compression. Each band is an independent compressor with its own standard controls (Threshold, Ratio, Attack, Release, Gain) and a three-way switch to bypass or mute each band.

You can use PolyComp as a corrective compressor on single tracks, as a mix bus compressor or as a mastering tool.

Features

• Analogue modelled VCA Compressor
• Three bands (Low, Mid, High)
• Two crossover filters
• Independent threshold, ratio, attack, release, gain per band
• On/Bypass/Mute switch for each band
• Dry/Wet control for parallel compression
• Resizable interface

Learn more about PolyComp.

Big Goat

Big Goat is an analog modelled simulation of one of the greatest fuzzboxes ever made in the mid-'70s and used in countless records.

The signal passes through 4 cascaded amplifier stages, where 2 of them are clipping stages. The result is a sustained fuzz, very rich in harmonics, with a unique tone.

Features

• Independent Volume, Tone and Sustain controls
• Pre and Post effect gain
• Mix control
• Resizable interface

Learn more about Big Goat.

Blue Face

Blue Face is an analog modelled simulation of a classic BC108 silicon vintage fuzz pedal made in the late ‘60s. This is one of the best-known fuzz pedals ever made, used to fully blast amplifiers tube stages.

Audiority modified the original circuit to get more bite even at minimum settings.

Features

• Independent Volume and Fuzz controls
• Pre and Post effect gain
• Mix control
• Resizable interface

Learn more about Blue Face.

Deleight

Deleight is a stereo multi-tap delay processor based on late ’90s digital delays hardware processors.

Deleight can deliver multiple delay-based effects, ranging from simple echoes to multi-voice choruses, flangers, doublers, early reverbs and more. Enable Loop mode to set Deleight as a looper device, with Speed and Reverse controls, to create special effects and textures.

Features

• Stereo Multi Tap Delay (4+4 Taps)
• Delay Buffer of 5 seconds
• 7 Time Ranges
• Tempo Sync
• Left, Right and Feedback channels
• Normal and Cross channel feedback modes
• LFO with 11 waveforms
• Channel Linking
• Loop Mode (with Speed and Reverse controls)
• Resizeable User Interface

Learn more about Deleight.

Distortion 1

Distortion 1 is an analogue modelled simulation of an iconic distortion stompbox introduced in the late ‘70s and behind the signature sound of many guitar legends.

Features

• Independent Tone, Distortion and Level controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• 8 different circuit types
• Resizable interface

New in Version 1.1

• NEW: 8 different pedal circuits
• NEW: Noise Gate
• NEW: HQ Mode
• NEW: Notifications System
• NEW: VST3 plugin format
• NEW: Mac OSX 10.15 Catalina support (64-bit only)

Learn more about Distortion 1.

Octaver 82

Octaver 82 is an analogue simulation of the *BOSS® OC-2™, classic monophonic octaver of the early 80s. The Octaver 82 is used to fatten up the instrument signal by adding two pitched down tones (1 and 2 octaves below the original one).

This plugin, like the original pedal, is monophonic. Chords will play totally scrambled! The technique used to make this pedal is very primordial, yet very innovative for the times. That’s why clean and precise playing is very important to get the best results.

Audiority also played with the circuit ending up with new exciting mods, adding overdrive, envelope filtering and gnarly synth tones!

Features

• Two Octave down controls
• Pre and Post effect gain
• Mix control
• Detector Tracking
• 6 different pedal circuits
• Resizable interface

Learn more about Octaver 82.

Echoes T7E MKII

Echoes T7E MKII is a faithful recreation of a vintage tube magnetic echo made in Italy in the early ‘60s. This echo effect unit is based on a magnetic spinning drum with both record and playback heads arranged around a recording wire wound around the drum circumference. This solution provides better stability over the usual tape transport with reduced wow and flutter.

Since the main “core” of this effect is based on the above mechanism, we modelled both the mechanics and the electronics. Echoes T7E MKII also provides 3 different playback modes allowing you to set different spinning speed or ever synchronize it to your host tempo extending the original delay length from ~310ms up to ~1100ms.

Features

• Analog Modeled Vintage Tube Echo
• 3 Playback Modes: Classic, Varispeed and Sync
• 4 Playback Heads (equally spaced)
• EM81 “Magic Eye” Tube Level Indicator
• 3 Echo Modes: Echo, Repeat and Swell
• 12 Heads combinations
• Tone, Error and Volume controls for each head
• Independent panning for each head
• Stereo Spread
• Heads Pan Law
• Magnetic Drum Age and Speed settings
• Internal hum noise (for increased realism and self-oscillation)
• Input Tube Low Cut
• PE 603 style head switching matrix (NEW v2.0)
• Delay Extension (up to 11s with Speed at minimum) (NEW v2.0)
• Pre-amp mode (with Delay Extension set to 0) (NEW v2.0)
• Output Booster (NEW v2.0)
• Speed Filter (NEW v2.0)
• Lite Mode (NEW v2.0)

Learn more about Echoes T7E MKII.

GrainSpace

GrainSpace is a granular processor focused on real-time granularization and reverberation of the incoming audio signal.

GrainSpace provides dynamic grain generation (up to 32 per channel), 7-grain parameters, 4-grain modulators (including two 11 waveforms LFO), smearing, chord resonator and reverb to create crazy sound effects, rich textures and much more.

Features

• Real-Time Granular Engine
• Recording Buffer of 2 seconds
• Playback modes: Stereo, Mono (L+R), Side
• Up to 32 grains per channel
• Grain Size up to 500ms
• 7 Grain Parameters (Size, Distance, Pitch, Feedback, Freeze, Position and Stretch)
• 4 Grain Modulators (2 x LFO, 2 x Random Generators)
• Tempo synced LFO with 11 waveforms
• Smearing
• Chord Resonator
• Reverb

New in Version 2.0

• Reworked graphic interface
• Grain Filters
• HQ interpolation (switch on toolbar)
• More modulations
• Chord Resonator
• Resizable GUI

Learn more about GrainSpace.

Green Reaper GR9

The first incarnation of the Tube Screamer series, the TS-808, was first released in 1979 and hand-wired by MAXON® engineers, who have been Ibanez’s production partners until 2002.

This pedal quickly became wildly popular due to its ability to deliver one of the smoothest and most responsive overdrive tones ever with just three controls. That’s why, still today, this is one of the most cloned and modified pedals ever.

Audiority carefully modelled the original pedal and added some goodies, including several modified versions of the circuit, to further shape your guitar tone.

Features

• Analog Modelled Overdrive
• Drive, Tone and Level controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• 12 different circuit types
• “To Amp” output mode
• Resizable interface

Learn more about Green Reaper GR9.

Harmonic Maximizer

Harmonic Maximizer is a multi-band exciter and loudness shaping plugin that will make your tracks powerful and more alive.

Features

• Multi-band Exciter
• Loudness Maximizer
• Auto Gain + Auto Release
• Saturation
• Blending

Learn more about Harmonic Maximizer.

Heavy Pedal

Heavy Pedal is a faithful analog modelled simulation of the infamous Swedish Chainsaw distortion stompbox introduced in the mid-80s and that sculpted the guitar tone of many metal guitarists. This high gain pedal is definitely the dark side in the panorama of distortion pedals.

Features

• Independent Tone, Distortion and Level controls
• Pre and Post effect gain
• Mix control
• Noise Gate
• Resizable interface

Learn more about Heavy Pedal.

LDC2 Compander

LDC2 is an analog modelled optical compressor and expander with exchangeable optical circuits, solid-state preamplifier and output stage, giving you a unique compression character.

LDC2 provides smooth and warm dynamics processing for tracking, mixing, mastering and live performances.

Features

• 17 real-time optical circuit models
• Fixed ratio (4:1) Optical Compressor
• Maximum compressor gain reduction: 40dB
• Fixed ratio (3:1) Optical Expander
• Maximum expander gain reduction: 30dB
• Independent side-chain gain and high-pass filters
• Diode based preamplifier

Learn more about LDC2 Compander.

PlexiTape

PlexiTape is a faithful analog modelled simulation of a vintage tape echo that made THE SOUND of the ’70s for its tone and reliability. Audiority put special care into modelling this unit on every aspect: motor, tape, FET preamplifier, heads and even the infamous “Sound On Sound”. SOS allows you to use bypass the echo and therefore use the tape as a looping recorder. Furthermore, Audiority expanded it with new features including a full stereo double delay line, tempo sync and more.

Features

• Analog Modeled Vintage Solid State Tape Echo
• Auxiliary Echo with Echo Pan for full stereo effects
• 3 Echo Modes: Echo, Off (Preamp + Tape colour only) and Sound On Sound
• 2 FET Preamp models: Early and Late
• 2 Playback Modes: Regular (with Varispeed) and Sync
• Varispeed from 3 to 15 IPS
• Echo Tone equalizer
• Internal hum noise (fully adjustable, for increased realism and self-oscillation)
• Resizable interface

Learn more about PlexiTape.

Polaris

Polaris is an echo/reverb plugin inspired by early hardware digital reverbs of the late 1970s and able to provide echo, ambience and reverb out of a single multitap delay line.

When hardware digital reverbs came out to the market they were really expensive. Most manufacturers were already exploiting chains of comb and all-pass filters (smoother reverbs, but expensive in both resources and chips), there were other techniques involving the use of a single multitap delay line to create a reasonable reverb while keeping the cost affordable.

That idea is so simple yet powerful: you mix a bunch of unmodulated taps (Early Reflections) with the remaining modulated taps (Diffusion) to create a cheap but convincing reverb.

We extended this technique by making the Echo tap recirculate with the Diffusion section, allowing longer reverb tails. Furthermore, you can easily edit all taps to create your own room responses, resonant combs, Karplus-like tuned delay lines, Chorus, Flanging, Vibrato and much more.

From v1.1 Audiority introduced new features like Shimmer, internal Sample Rate reduction (useful to get a vintage digital sound) and Stereo Width (Ping Pong delay).

From v1.3 Audiority introduced a Swell feature that will smooth the transients of the incoming signal, with its attack time automatically matching the delay time. This new feature works great for ambient guitars, intense endless pads and much more.

From v1.5 Audiority introduced Pre-Delay, Modulation Boost and a 3 Band Feedback Equalizer on the new Echo editor page.

Features

• Single Multitap Delay Line
• Pre-Delay (NEW v1.5)
• Early Reflections (8 Programmable Taps)
• Diffusion (16 Programmable Modulated Taps)
• Echo (Ms, Sync, Tuned, Long)
• Echo Modulation
• Modulation Boost (NEW v1.5)
• 3 Band Feedback Equalizer (NEW v1.5)
• LFO (Sin/Tri/Rnd – Hz, Sync)
• Shimmer
• Sample Rate Reduction
• Stereo Width
• Swell

Learn more about Polaris.

Pre X7

Pre X7 is an analog modelled preamplifier based on an iconic vintage tube unit primarily designed for bass guitar and that we modified to make it work with several audio sources.

Both input and output 12AX7 tube models are calculated in real-time, bringing you all the subtle non-linearities that will make each instance of this plugin unique without phase issues. A high-pass filter followed by a Tone control lets you shape the input signal before the output tubes. Furthermore, we included a brick wall clipping limiter to help you retain the distortion in extreme settings.

Features

• Real-time 12AX7 tube models
• 4 steps Low Cut (pre or post-input tube)
• Input/Output Linking
• Baxandall tone control
• Boost, Pad and Phase switches
• Brickwall clipping limiter

Learn more about Pre X7.

Solidus VS8100

Solidus VS8100 is an analogue simulation of the iconic Marshall® Valvestate™ 8100, a solid-state amplifier from 1991.

The original head was the first incarnation of the Valvestate™ series, a solid-state amplifier with a 12AX7 tube as a driver for the distorted channel tone stack, which defined the history of death metal through the 90s. It featured two channels: a Normal channel, for clean guitars, and a Boost channel for distortions.

Audiority carefully modelled the original amplifier and added some goodies to further shape your guitar tone: a noise gate, and EQ/Booster (to make your own custom clean booster), a post-amp 5 band EQ and a Cab Loader.

Integrated cabinets provided by Dr Bonkers Sound Lab and Valhallir.at

Features

• Analog Modelled Solid State Amplifier
• 2 Channels (Normal/Boost)
• Normal Channel modes: Clean; Crunch
• Boost Channel modes: OD1; OD2
• Noise Gate
• Customizable Clean Boost (10 Band EQ → Booster)
• Post Amp 5 Band Equalizer
• Integrated Cabinet Simulator
• Resizable interface

Learn more about Solidus VS8100.

Solidus Randy 250

Solidus Randy 250 is an analogue simulation of the Randall® RG100ES (late ‘80s) and RH150 (late ‘00s) solid-state amplifiers.

The RG100ES head, produced in the late 80s, has been a remarkable amplifier that defined the sound of some of the greatest metal bands of that time, while the RH150 is a more modern rendition with much more gain. Both amplifiers are renowned for their huge low-end and crushing gain.

Audiority carefully modelled the original amplifier and added some goodies to further shape your guitar tone: a noise gate, a modern overdrive, a couple of EQs (6 Band Graphic EQ + a 3 Band Parametric), a post-amp 5 band EQ and a Dual Cab Loader.

Integrated cabinets provided by Dr Bonkers Sound Lab, Eddie Scharr, Redwirez and Seacow Cabs.

Features

• Analog Modelled Solid State Amplifiers
• RG: 2 Channels (Green/Red)
• RG: Overdrive Channel Boost
• RH: 2 Channels (Clean/Overdrive)
• RH: Clean Channel Boost
• RH: Overdrive Channel with Dual Gain
• Noise Gate
• Wild Drive
• EQ Duo (6 Band EQ → 3 Band Parametric EQ/Booster)
• Post Amp 5 Band Equalizer
• Integrated Dual Cabinet Simulator
• Resizable interface
• Standalone mode

Learn more about Solidus Randy 250.

Pyros

Pyros is an aggressive distortion effect ideal to give you a unique sound to your guitars, bass, synthesizers, drums and much more. We programmed a rich-sounding distortion to fit in both vintage and modern music styles.

Features

• 11 Distortion Algorithms
• 2 Amplification stages
• Tone Control
• 2 Clipping circuits
• 2 Playback Modes: Regular (with Varispeed) and Sync
• Envelope Follower for dynamic distortion
• Feedback

Learn more about Pyros.

Tube Modulator

Tube Modulator is a collection of several tremolos, vibrato and spatial position effect circuits ranging from the late ‘50s tube bias tremolo to the late ‘60s psychedelic vibe pedals.

Tube Modulator spatial effects include a panner, a rotary speaker and a wide stereo “wow & flutter” simulators.
A wide XY scope will show you the current amplitude and spatial position modulation to get instant feedback from your settings.

Tube Modulator is Colored by Design, adding a great amount of warmth and colour to your signal.

Features

• 7 Tremolo / Vibrato modes
• 3 Spatial Position effects
• 11 Waveforms LFO
• XY Scope
• Parameters Linking
• Tempo Sync
• Coloured by Design

Learn more about Tube Modulator.

XenoVerb

XenoVerb is a versatile reverb processor featuring both classic and creative reverb algorithms delivering a wide range of reverbs with a clean and simple interface.

Features

• 10 Reverb Algorithms:
• Room, Hall, Plate 1, Plate 2, Springy, Glass, Flow, Shimmer, Bode, Formant
• Over 250 presets
• Pre Delay
• Diffusion
• Modulation
• Tone Control
• Reverb Freeze
• Soft Limiter

Learn more about XenoVerb.

System Requirements

PC

• Windows 7 or later (64-bit only)
• Intel i5 or equivalent
• 2GB RAM
• Screen resolution: 1024×768
• VST2, VST3 64-bit host
• PT11 or higher, AAX 64-bit host

Mac (Intel)

• OS X 10.8 or later (64-bit only)
• Intel i5 or higher
• 2GB RAM
• Screen resolution: 1024×768
• VST2, VST3, AU 64-bit host
• PT11 or higher, AAX 64-bit host

Mac (M1 Apple Silicon)

• macOS 11.0 or later (64-bit only)
• Apple M1 or higher
• 2GB RAM
• Screen resolution: 1024×768
• VST2, VST3, AU 64-bit host
• PT11 or higher, AAX 64-bit host