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Everything Pack HD

FX Bundle by McDSP

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For Those Who Want It All

Everything Pack is the Ticket

Please Note: This product is the HD version. You can purchase the Native version HERE.

All McDSP’s channel strips, compressors, equalizers, virtual tape machines, multi-band dynamic processors, reverbs, de-essers, mastering limiters, noise filters, and ‘futz’ tools are included.

Everything Pack contains all the plug-ins from Emerald Pack, Retro Pack, Classic Pack, plus all the latest McDSP plug-ins including the 6060 Ultimate Module Collection, NR800 Noise Reduction Processor, the 6034 Ultimate Multi-band, and the Emmy Award winning SA-2 Dialog Processor.

The Everything Pack is the complete bundle for the user who needs powerful plug-ins to make their production sound its very best.

Bundle Includes:

Channel Strips

When flexibility is critical to getting the right mix, a good channel strip is mighty handy. Good thing McDSP makes so many of them. From the TEC Award nominees like Channel G and 6050 Ultimate Channel Strip to the 6060 Ultimate Module Collection with the most module-based processing options in any plug-in, McDSP has what you are looking for.

Equalizers

McDSP made a name for itself in 1998 with the acclaimed FilterBank equalizer plug-in. Over two decades later McDSP is still cranking out hits with new designs, the first (and only) active EQs that work on ALL major formats (AAX DSP, AAX Native, AU, VST), and loads of unique features along the way.

Compressors

If you thought you'd seen it all when it came to dynamic range compression, think again. McDSP's unique designs can model the classics, or be something new entirely. Like all McDSP plug-ins, the compressor algorithms are built from scratch, have zero (or near-zero) latency, and can handle dynamic range processing well over 0 dB.

Multi-band & Limiters

Patented processing techniques, the lowest latency in their class, and a wide variety of crossover network designs make McDSP multi-band processors and mastering limiters top choices in studios around the world.

Noise Reduction, Reverb & Delay

Real-time noise reduction is a few clicks away with the NR800 Noise Reduction Processor and NF575 Noise Filter plug-ins. Or if you need to make some space in your mix, the EC-300 Echo Collection offers plenty of options.

Specialty & Unique

Looking to send your track through a fax machine? Need an Engineering Emmy Award-winning dialog processor? Or maybe you just want to sound like you recorded to tape? McDSP has all these processing options and more.

6020 Ultimate EQ

The 6020 Ultimate EQ is a collection of ten equalizer models using the popular module format leveraging McDSP’s 15+ years of design experience.

All 6020 Ultimate EQ modules are designed by McDSP, drawing on inspiration from classic and modern equalizers over the last four decades. Each module is easy to operate, and yet has enough sophistication for the most discerning professional.
Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6020 Ultimate EQ has a custom-made equalizer module that is just right for you.

Features

  • 10 EQ modules in a single interface
  • Input & output control
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about 6020 Ultimate EQ.

6030 Ultimate Compressor

The 6030 Ultimate Compressor is the next generation of dynamic range control technology. Building from the entire McDSP compression algorithm code base, the 6030 adds new sonic capabilities, stunning new interfaces, and quality only McDSP could deliver.

Using the popular module format, the 6030 Ultimate Compressor offers ten different compressors. All of these designs are by McDSP – some completely from the ground up, while others are emulations of existing gear with unique variations created by McDSP. Each 6030 Ultimate Compressor module is easy to operate, and yet has enough sophistication for the most discerning professional.

Whatever your style, from smooth tube emulations to aggressive solid-state designs, the 6030 Ultimate Compressor has a custom-made dynamic range control module that is just right for you.

Features

  • 10 compressor modules in a single interface
  • Side chain support
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about 6030 Ultimate Compressor.

6034 Multi-Band Compressor

The 6034 Ultimate Multi-band is a flexible multi-band dynamics processor, offering all the award-winning compression, expansion, and gating modules from the highly acclaimed 6050 Ultimate Channel Strip plug-in, in a four band crossover network. Just like the 6050 modules, the 6034 Ultimate Multi-band modules can be swapped on the fly for quick auditioning while retaining relative settings. The crossover filter slopes can be configured as 6, 12, or 24 dB/Oct. Metering includes gain reduction and output levels on all crossover bands, as well as main input and output levels.

Artist Presets included from: Mike Dean, ROCAsound, David Bottrill, Richard Chycki, Lovy Longomba, Eric Racy, Brujo Caipo and Zakk Cervini.

Features

  • Includes award-winning compressor modules from the 6050 Ultimate Channel Strip
  • Configurable four-band crossover with multiple filter slope options
  • On the fly module auditioning
  • Input and output control
  • Analog Saturation Modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about 6034 Multi-Band Compressor.

6050 Ultimate Channel Strip

The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters.

The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.

Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.

Features

  • Over 25 EQ, compressor, gate, expander, saturator, and filter modules
  • Easy drag and drop, on the fly module auditioning
  • Side chain support
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about 6050 Ultimate Channel Strip.

6060 Ultimate Module Collection

The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available. The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high end shine, tape simulation, de-essing and new EQ and compression designs.  Additional modules are already in the works.

The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing.  

The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules.  

The 6060 is indeed, the ultimate module collection.

Features

  • Largest collection of processing options of any module-based plug-in
  • Easy drag and drop, on the fly module auditioning
  • Split Mode operation for two separate parallel signal paths
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about 6060 Ultimate Module Collection.

4020 Retro EQ

The 4020 Retro EQ is a four-band EQ and complimentary filter set. The HF and LF bands are shelving EQ, with two additional parametric EQs at the HMF and LMF bands. All EQ bands operate on a unique gain dependent variable slope/Q system for a vintage smooth sound and increased boost/cut frequency selectivity high gains. The HPF and LPF filters use a unique split-octave design giving a 12 dB/Oct slope near the selected frequency, and a maximum slope of 24 dB/Oct.

All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.

Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

Features

  • Unique original algorithms with transparent yet vintage sound
  • Variable slope filtering
  • Variable Q/slope Shelving and Parametric EQ
  • Anti-Clip Output Stage Topology
  • Analog Saturation Modeling
  • Double Precision Processing
  • Ultra Low Latency
  • Mono and stereo versions

Learn more about 4020 Retro EQ.

4030 Retro Compressor

The 4030 Retro Compressor is a new dynamic range control topology coupled with a wet/dry mix control to balance compressed and uncompressed signals. An active attack and release design allows aggressive compression settings with minimal artifact generation.

All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.

Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

Features

  • Unique original algorithms with transparent yet vintage sound
  • Mix control
  • Side chain support
  • Anti-Clip Output Stage Topology
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about 4030 Retro Compressor.

4040 Retro Limiter

The 4040 Retro Limiter combines a look-ahead brick wall limiter function with several subjective treatments to make the limiting action subtle, and yet vintage.

All Retro plug-ins use a McDSP designed output stage topology to eliminate digital clipping at any output level and produce a smoother distortion characteristic. This feature is in addition to the analog saturation modeling that has made McDSP famous over the last decade.

Retro plug-ins are a line of ‘classics’ that can live up to their own name without emulating something else.

Features

  • Unique original algorithms with transparent yet vintage sound
  • Up to 36 dB of signal gain
  • Anti-Clip Output Stage Topology
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about 4040 Retro Limiter.

AE400 Active EQ

The AE400 is an advanced active equalizer suitable for music production, post-production, and live sound.

The AE400 is made up of 4 bands of fixed and active equalization. Each band is completely overlapping with all other bands and has its own Q (bandwidth), fixed gain, and active gain controls. A key filter for each band allows the active gain response to be as selective or broad as needed, based on the Q (bandwidth) control. Each band can use the input signal or selected side chain signal to trigger the active EQ response.

The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot. The AE400’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE400.

Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE400.

Features

  • Four fully overlapping fixed and active EQ bands
  • Independent control over all active EQ parameters per band
  • Unique active EQ ratio response control
  • Side chain support
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about AE400 Active EQ.

AE600 Active EQ

The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.

Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.

The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.

Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

Features

  • Six fully overlapping fixed and active EQ bands
  • Independent control over all fixed and active EQ parameters per band
  • Selectable EQ mode per fixed and active bands
  • Unique active EQ ratio response control
  • Side chain support
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about AE600 Active EQ.

Analog Channel

Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.

Analog Channel is 2 plug-ins:

  • AC101 – Emulates analog channel amplifier circuits
  • AC202 – Emulates analog tape machines

The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.

The AC202 configuration emulates analog tape machines. In addition to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

Features

  • Library of presets emulating analog mixing systems
  • Real-time display of saturation curves and calibrations
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about Analog Channel.

Channel G

Channel G delivers the big board sound with unprecedented flexibility and seamless integration with Avid control surfaces including S6, S3, D-Control, D-Command, and VENUE Live sound systems including S3L and S6L.

Channel G is 3 plug-ins:

  • G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section
  • G Equalizer – a five-band professional grade console style EQ with a versatile filter section
  • G Console – a combination of the G Dynamics and G Equalizer configurations

All Channel G configurations feature calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

Features

  • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
  • Full-featured Expander/Gate, Compressor/Limiter
  • Five-band EQ with shelving and parametric sections
  • Compressor/Limiter operation pre or post EQ section
  • Analog Saturation modelling
  • Double precision processing
  • Ultra-low latency
  • Mono and stereo versions

Learn more about Channel G.

Channel G Compact

Channel G delivers the big board sound with unprecedented flexibility and seamless integration with Avid control surfaces including S6, S3, D-Control, D-Command, and VENUE Live sound systems including S3L and S6L.

Features

  • High pass and low pass filters with selectable slopes of up 12 and 24 dB/Oct
  • Full-featured Compressor/Limiter
  • Four-band EQ with shelving and parametric sections
  • Compressor/Limiter operation pre or post EQ section
  • Analog Saturation modelling
  • Double precision processing
  • Ultra-low latency
  • Mono and stereo versions

Learn more about Channel G Compact.

CompressorBank

CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

CompressorBank is 3 plug-ins:

  • CB101 – basic compression
  • CB202 – compression with pre-filtering
  • CB303 – compression with pre-filtering and static/dynamic EQ

In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ.

Features

  • Compression curve modeling
  • Multiple peak detection circuits
  • Static and Dynamic EQ
  • Side chain support and pre-filtering options
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about CompressorBank.

FilterBank

The EQ revue rolls into your computer-based recording system with McDSP's FilterBank, a collection of great EQs that gives you an astonishing degree of control. FilterBank can emulate any EQ - tube driven or solid state, vintage or modern, fat or thin. You can adjust all the filter design and critical equalizer parameters, or design your own distinct custom EQ. FilterBank's trio of plug-ins include the E6060 console-style parametric model, the F202 steep highpass and lowpass model, and the P606 parametric EQ with variable Q modes. See what EQ can really do - put FilterBank on your tracks!

Features

  • High and low shelving EQ with independent control of frequency, gain, peak, slope, and dip
  • Parametric EQ with 20Hz-21kHz frequency control range, up to 5-octave-wide parametric bell, +/-12dB gain, and Constant-Q technology
  • Lowpass and highpass filters with adjustable slope and resonant peak greater than 24 dB
  • Bandpass and Band reject filters
  • Q range: 0.2 - 12.0
  • Analog Saturation Modeling provided in each EQ/filter band to prevent digital clipping
  • Up to 48 EQ/filter bands per MIX dsp
  • Compatible with AAX DSP, AAX Native, AU, VST, and VST3 plug-in hosts

Learn more about FilterBank.

DE555 Advanced De-esser

The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required. Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

Features

  • Advanced de-essing technology
  • Unique key filter focus and de-essing controls
  • Real-time metering and key filter response plot
  • High frequency (HF) only option
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about DE555 Advanced De-esser.

EC-300 Echo Collection

The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.  The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience. 

Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

Features

  • Three delay types – Magnetic, Digital, and Analog
  • Wide variety of character modes per delay tape
  • Saturation, Wow, Flutter, Ducking, and other delay features
  • Single, dual, and ping-pong delay operation
  • Tap tempo and session sync
  • Over 75 SIMs (Synthetic Impulse Models) included
  • Mono, stereo, and mono-to-stereo versions

Learn more about EC-300 Echo Collection.

FutzBox

FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.

Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.

In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.

Features

  • Library of Synthetic Impulse Models (SIMs)
  • Configurable ‘futz’ effects including filtering, EQ, and distortion
  • Flexible noise generator with ducking capability
  • Hyper-sensitive gate for signal dropout effects
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about FutzBox.

ML4000 Mastering Limiter

The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.

The ML4000 is two plug-ins:

  • ML1 – mastering limiter
  • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

Features

  • Brick wall look-ahead limiter
  • Multi-stage peak detection and limiting
  • Unique limiter Knee and Mode controls
  • Multi-band Gate, Expander (up/down), Compressor
  • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
  • Multiple real-time metering options
  • Adjustable crossover filters
  • Multi-band control linking
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about ML4000 Mastering Limiter.

ML8000 Advanced Limiter

The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.

The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.

The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.

The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.

Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.

Features

  • Brick wall look-ahead limiter
  • Multi-stage and multi-band peak detection and limiting
  • Unique limiter Knee, Mode, and Focus controls
  • Snap function instantly sets multi-band thresholds to signal levels
  • Double precision processing
  • Low latency
  • Mono and stereo versions

Learn more about ML8000 Advanced Limiter.

NR800 Noise Reduction Processor

The NR800 is a real-time noise reduction processor, useful for music production, post production, and live sound.

The NR800 operates with no internal latency and does not contaminate the original source material with artifacts such as those found by noise reduction plug-ins that utilize transform-based processing.

The NR800 operates on mostly broadband frequencies, but can also be focused in a narrow portion of the frequency spectrum using noise reduction focus points. A set of input filters and be configured with slopes up to 36 dB/Oct, and can be set at frequencies independent of noise reduction focus points.

Several noise reduction modes (NR Mode) are available to provide a range of smooth to aggressive noise reduction amounts. A Range control can be used to scale the overall noise reduction from 100% to 0% (off). A ‘x2’ mode will also double the noise reduction amounts in all bands, when less finely tuned adjustment is needed, or when noise problems are severe. The Response time controls how fast the noise reduction recovers from a ‘noise event’. An NR Bias selector allows different noise reduction amounts to be activated when ‘snapping’ the noise reduction gain and thresholds to the input signal.

Each of the 8 bands in the NR800 has a noise reduction amount fader and noise detection threshold marker, and the usual McDSP linking control capabilities from a master (M) and linked (L) control button paradigm. Each band may also be individually bypassed or soloed to audition incoming noise amounts.

Features

  • HPF and LPF pre-filtering
  • Eight bands of focusable noise reduction
  • Noise reductions modes and noise reduction bias
  • Snap Gain and Snap Threshold for fast setup
  • Overall noise reduction range and response control
  • McDSP Emmy Award-winning engineering

Learn more about NR800 Noise Reduction Processor.

SPC2000 Serial/Parallel Processor

The SPC2000 Serial/Parallel Compressor takes the power and flexibility of the now classic CompressorBank plug-in by McDSP, and offers two, three, and four stage configurations with serial and parallel routing combinations unlike any dynamic processor. Couple this routing capability with the ability to emulate any other compressor, and it’s clear the SPC2000 is a serious audio tool.

SPC2000 is 3 plug-ins:

  • SPC202 – two-stage configuration
  • SPC303 – three-stage configuration
  • SPC404 – four-stage configuration

Each compression in the SPC2000 uses the award winning McDSP CompressorBank algorithms and controls giving the user complete control of dynamic compression. Common controls such as Output (make-up gain), Threshold, Compression (Ratio), Attack, and Release are provided as well as non-standard Knee and Bite controls which allow the articulation of compression characteristics in unique and exciting ways. Multiple peak detection circuit types provide flexibility previously achieved only by owning different compression units.

Features

  • Multiple parallel and serial compression combinations
  • Compression curve modeling
  • Multiple peak detection circuits
  • Multi-compressor control linking
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency

Learn more about SPC2000 Serial/Parallel Processor.

SA-2 Dialog Processor

Dialog. The focal point of any movie, television show, documentary, or for that matter, any creative media production involving the spoken word. Add to the mix a sweeping musical score, dozens of foley effects, and plenty more – and it becomes clear the job of dialog mixing is a tall order. After all, if you can’t hear what the actors are saying, why watch it at all!

The SA-2 Dialog Processor is based on hardware originally conceived by Academy Award-winning re-recording mixer Mike Minkler and used on over 100 major motion pictures. The SA-2 is designed to improve the overall sound of recorded speech. But the SA-2 is not just for dialog. It’s equally useful for vocals, and is a great tool for adjusting the timbre of any track, a reliable de-esser, and a fine multi-frequency compressor, in our completely biased opinion.

The SA-2 Dialog Processor is made up of 5 bands of strategic active equalization, configured in a variety of modes to best address common issues of dialog. Each band of active equalization has a threshold control to determine at what signal level the active equalizer begins to effect the signal. There are also enable buttons for each band to quickly audition the effect of any given band. Two mode selectors – one for controlling the ballistics of the active equalization, and a second for placing the five bands at strategic locations in the frequency spectrum. Finally, there are input and output gain controls for overall adjustment.

Features

  • Five independent bands of strategic active equalization
  • Multiple process modes for a variety of applications
  • Unique signal reduction metering
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about SA-2 Dialog Processor.

MC2000 Multi-Band Compressor

The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.

MC2000 is 3 plug-ins:

  • MC202 – two-band compression
  • MC303 – three-band compression
  • MC404 – four-band compression

The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.

Features

  • Compression curve modeling
  • Multiple peak detection circuits
  • Adjustable crossover filters
  • Multi-band control linking
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about MC2000 Multi-Band Compressor.

ML4000 Mastering Limiter

The ML4000 is a high-resolution limiter and multi-band dynamics processor designed for music, mastering, post, and live sound.

The ML4000 is two plug-ins:

  • ML1 – mastering limiter
  • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies. Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

Features

  • Brick wall look-ahead limiter
  • Multi-stage peak detection and limiting
  • Unique limiter Knee and Mode controls
  • Multi-band Gate, Expander (up/down), Compressor
  • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
  • Multiple real-time metering options
  • Adjustable crossover filters
  • Multi-band control linking
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about ML4000 Mastering Limiter.

NF575 Noise Filter

Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

Features

  • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
  • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
  • Five bands of notch filtering with linkable frequency control
  • Analog Saturation modeling
  • Double precision processing
  • Ultra low latency
  • Mono and stereo versions

Learn more about NF575 Noise Filter.

System Requirements

Mac:

  • macOS 10.10 or higher (64-bit only)

Windows:

  • Windows 7, 8 & 10 (64-bit only)

HD v6 Software Supports:

  • AAX DSP and AAX Native
  • Audio Units (AU)
  • Audio Suite
  • VST

Platform Requirements:

  • AAX versions require Pro Tools 12.x or higher and also support Pro Tools 2018, 2019, and 2020.
  • S6L versions require VENUE OS 5.3.2 or higher
  • AU versions recommended for Logic X or higher
  • VST version recommended for Cubase 7.x, 8.x, 9.x, and 10.x, and Nuendo 6.5 or higher
  • McDSP plug-ins require a v6 license (or Demo) on an iLok2, iLok3, or iLok cloud to authorize the installers. Latest iLok drives are recommended. Cloud support requires v6.5 or higher

Compatible DAW's

McDSP HD and Native plug-ins are compatible with Pro Tools, Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer, Studio One, Sonar, and other DAWs that support AAX, AU, VST and/or VST3 plug-in formats.

Activation:

  •  Active internet connection required OR physical iLok USB Dongle required.

Important note: McDSP plug-ins require either a physical iLok2 or iLok3 USB Dongle or an iLok License Manager account and an iLok Cloud session for authorization.

Any references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. "RHODES" is a registered trademark of Joseph A Brandstetter.

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