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Trident A-Range

EQ by Softube

Flemming rasmussen 120x120 pluginboutique
"When I tried the Softube Trident A-Range equalizer plug-in for the first time, a big smile came upon my face - it was just like getting my desk back again. It sounds exactly as I'm used to hearing the EQ."
Flemming Rasmussen. Producer/Mixer/Engineer, Metallica, Richie Blackmore, Morbid Angel, Blind Guardian etc.
Joe chiccarelli 120x120 pluginboutique
"The A-Range plug-in captures all the tone and energy of the original modules. The Originals are hard to find and maintain but the plug-is easy to use."
Joe Chiccarelli. Mixer/Engineer/Producer for Beck, U2, The Strokes, Elton John, etc.
Michael wagener 120x120 pluginboutique
"I have used an original analog Trident A-Range channel strip, so I've been able to compare the hardware to the plug-in and there's just no difference."
Michael Wagener. Music producer / Mixer / Engineer who's worked with the likes of Ozzy Osbourne, Metallica, Dokken, Alice Cooper and many more.

The Trident A-Range equalizer is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range - David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...

It is sometimes said that one of the disadvantages of digital mixing and recording is that the happy accidents one could experience with analog gear just don't happen in the DAW. People saying that clearly haven't tried Softube's Trident A-Range equalizer.

Because the Trident A-Range is not only a tremendously nice sounding and highly characteristic equalizer. Its four frequency bands also have a way of integrating in sometimes rather unpredictable ways. More often than not you will find that the equalizer ends up giving you something even better than you may have expected when you made a certain setting. In this sense, the Trident A-Range is more of a musical instrument than a strictly scientific tool. We think this is one of the major reasons it has been used on so many great classic rock albums and why it's still one of the most coveted pieces of audio equipment around.

Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".

The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.

Only thirteen A-Range consoles were ever built, and the Softube plug-in version is a very exact model of channel 15 of the Trident A-Range at Sweet Silence Studio 'B' in Denmark. This is producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", as well as Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".

The A-Range channel features four bands of equalization plus high and low pass filters. By driving the console hot, it is possible to get it to distort with a hairy and effective saturation that is just right in some situations, and just wrong in others! We added a separate Saturation control to let you choose easily. Turn it down for clean (and less CPU draw), and up for the sound of a Trident A-Range hard at work.

Features:

  • EQ with a will of its own
  • Created together with original designer Professor Malcolm Toft
  • Each and every component carefully modeled
  • Saturation control
  • Very CPU friendly

System Requirements:

Version 2.0 of the Softube plug-ins have the following minimum requirements:

All Native Versions:

  • Mac OS X 10.9 or newer
  • Windows 64-bit, versions 8 or 10
  • Intel Core 2 Duo, AMD Athlon 64 X2 or newer
  • Screen resolution larger than 1280x800
  • 1 GB RAM or more, and at least 6 GB hard disk space for installation (individual plug-ins take less space)
  • Any VST, VST3, AU, or AAX (Pro Tools 10.3.7, 11.0.2 or higher) compatible host application
  • Softube/Gobbler account
  • Gobbler application to manage license activation and plug-in downloads
  • Please make sure that you always use the latest iLok License Manager. It is not included in the Softube installer, but can be downloaded from www.ilok.com
  • Broadband internet access for downloading installer and register licenses​

Please Note: 

  • Windows XP and Vista are no longer officially supported
  • All Softube plug-ins support both 32- and 64-bit hosts, although a 64-bit OS is required. Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo

AAX DSP version

  • For AAX DSP you need to meet the requirements for the Native version. You also need to have an Avid HDX processing card
  • Different plug-ins will have a different load on your HDX card, please see the AAX DSP Supported Instances per DSP card for more information

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