Top 5 Friday | Best Vocoder Plugins
Top 5 Friday | Best Vocoder Plugins (VST/AU)
5. XILS Lab XILS V+
Modelled off Roland’s classic VP330 vocoder hardware, the XILS virtual vocoder brings you classic features and some modern additions as well, for when you simply need to talk some smack in a robotic voice.
Of course, if you want to make a vocoder, it’s got to be at least partly a synth, and the original Roland hardware was famous for both its string sounds and its emulation of the human voice, which gave access to epic choir-like and orchestral tones.
XILS V+ takes it further than the original Roland hardware, offering Mixer, Vocoder, Effects and Mod panels to take more control over the sound than those 1980s musicians could.
4. MeldaProduction MVocoder
An analogue-style vocoder plugin with up to 100 bands, MVocoder doesn’t actually make its synth tones itself – it takes the channel’s input and a sidechain input and combines them, so it’s up to you to find the two signals to smash together through MVocoder.
This one goes further than a regular synth-based vocoder, offering comprehensive modulation, envelope following, smart randomisation, automatic gain compensation and loads more.
If you want to smash together a carrier and a modulator with no messing around, MVocoder is a low-latency, high-quality way to do it.
3. XILS LAB XILS 5000
Another XILS plugin inspired by a real vocoder synth – this time the EMS 5000 – XILS 5000 takes on the analogue filtering of the original and brings it into a single, simple-to-use plugin.
The synth sound is based on XILS’ VCS 3 emulation tech, offering dual oscillators, LFOs and envelopes, vocal de-noising and more, but you can also pipe your own sidechain input in there to use the vocoder filters on any material you’d like.
That pin matrix at the top of the synth? That’s there to select which band of the carrier will be sent through to which band of the modulator, so there’s a wild variety of tonal possibility available from this particular virtual vocoder.
2. TAL TAL-Vocoder
Not just a great vocoder, but a free one too! Togu Audio Line are giving away the farm with TAL-Vocoder, which is an 80s-style vocoder with Pulse, Saw, Sub and Noise oscillators to get your teeth into – or any part of your mouth into, really.
So how about the synth side? Aside from basics like oscillator tuning and fine-tuning, TAL-Vocoder offers polyphonic or monophonic synth modes, portamento and oscillator sync to craft tones that are worthy of even the finest human glottis. There’s also a sidechain input option if you prefer to use your own synths, of course.
Elsewhere, TAL-Vocoder has an 11-band EQ, Ess reduction or boosting, a Release control, and an exciter onboard too.
1. iZotope VocalSynth 2
The Vocoder is just one module in VocalSynth. This plugin serves as many possible vocal effects types as you can think of, with the others being Compuvox, Biovox, Polyvox, and the similar-ish Talkbox.
VocalSynth’s Vocoder module itself contains Smooth, Shift, Scale and Level controls on the surface, but expand it and you get access to a whole basic two-oscillator synth with band level controls.
Not only can you crank up the Vocoder module in VocalSynth alongside all its other modules, but you can avail yourself of seven effects, including Distort, Filter, Transform, Chorus, Delay and more, to get yourself the ultimate robotized vocal tone, or much more.
Other articles
Behind the Curtain with Just Her
From her early days as a vinyl collector, then musician and music technology lecturer to becoming one of the most respected names in melodic house, Claire's journey has been defined by curiosity and an unwavering commitment to authenticity. Whether through her releases on labels the likes of Anjunadeep and Crosstown Rebels, her multidisciplinary Constant Circles project, or her personal performances around the world, Just Her has built a reputation for creating music that resonates as strongly w
Essential Toolkit: What So Not
For the debut of our new Essential Toolkit series, What So Not details the plugins behind “Dancing in the Leaves” from their EP The Quiet That Hurts. The focus stays on speed and restraint. Each tool serves a defined purpose, supporting the idea without heavy processing chains or excess layering. Five plugins shape the session: FabFilter Pro-Q 4 handles spectral EQ on field recordings and unstable sources so the arrangement forms quickly. RC-20 Retro Color adds motion to an 808 line
The Tools Behind LEISURE’s Timeless Album
For LEISURE, Welcome To The Mood marked a clear point in how the group wrote and recorded together, and the conversations around the album focused on process, arrangement choices, and how the six-piece keeps decisions consistent across a long timeline. The record leaned further into live recording, and it expanded the palette through added musicians like strings, brass, piano, and backing vocalists, while keeping the songwriting direct and personal. That context shaped the questions in our
Inside Pan-Pot’s Minimal and Physical Production Approach
Pan-Pot built HUMAN as an extension of their experience of club culture and of how they want audiences to experience music again. The concept centers on depth, presence, and physical impact in a room. That same thinking carries directly into their studio process, where arrangement, sound selection, and dynamics are shaped with long-term tension in mind rather than short-term payoff. In our conversation with the duo, Tassilo and Thomas break down how that philosophy translates into real p