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Broad strokes, big tone.
The low-end trick is a classic, but it’s not the only trick that has kept this type of passive EQ popular 70 years on. The minimum-phase passive design and extreme musicality make them great for broad strokes and big tones. Cuts and boosts are carried out with resistors, capacitors, and chokes, as opposed to op-amps or transistors. Just pure passive electronics and a beautiful tube amp stage on the output.
Our plug-in version is based on modern hardware that adds stereo functionality and more frequency selections while staying true to the nature of the original design. We added Headroom control within our Extended Features panel to exaggerate the thick low-end character of the transformers, plus built-in Mid/Side functionality, and separate gain controls for the two channels.
The Art of Rock & Roll Science
Our reputation for producing tools that improve workflow and offer the highest quality sound is rock solid. For over twenty years, we have forged strong partnerships with premium brands like Tube-Tech, Chandler Limited, and Empirical Labs.
This is the legacy the Reference 1956 Equalizer is built on—one of creativity, passion, and attention to detail. To create tools that innovate, you have to have heart, soul, and Rock & Roll Science.
Magical sound, modern features
The passive circuit design of this equalizer makes it exceptionally musical, natural sounding, and some say, magical. We’ve kept the magic intact by maintaining the true nature of the original passive circuit design. Reference 1956 Equalizer gives you the legendary sound, plus modern features like Mid/Side functionality and separate gain controls.
Even more modern with Equalizers
Want the full experience of the Reference 1956 Equalizer plus visualizations of its unique curves, up to 20 bands of modern curves, frequency content, dynamic EQ features, and more? You can load Reference 1956 Equalizer into the second slot of our Equalizers plug-in to create a one-of-a-kind EQ environment. The result is equalizing that’s both corrective and vibey in an ultra-fast workflow.
Tips! How does Reference 1956 Equalizer compare to Tube-Tech PE 1C?
The Tube-Tech PE 1C (available in our Tube-Tech Equalizers Mk II set, alongside the Tube-Tech ME 1B) is made to sound like a brand-new, perfectly tuned Pultec EQ with everything to spec and very little distortion as a result. Reference 1956 Equalizer is on the opposite side of the spectrum. It’s designed to give more distortion, and some parts are deliberately degraded to deliver that distortion.
Features
- Authentically captured, classic passive equalizing
- A modern, musical minimum-phase passive EQ
- Stereo functionality
- Additional frequency selections
- Headroom control
- Mid/Side functionality
- Separate gain controls for each channel
- Compatible with Equalizers
- Console 1 Ready
- macOS Big Sur 11, Monterey 12, Ventura 13
- Windows 10 (64-bit), Windows 11
- Softube account
- iLok account
- Computer with AU, VST, VST3, and/or AAX-compatible DAW host software
- Internet access (for downloading installers and managing licenses)
Supported CPU Families
- Apple macOS computers with Intel Core i3/i5/i7 or Apple silicon (M1 or newer) CPU. Apple silicon is supported natively.
- Windows computers with quad-core Intel Core i3/i5/i7 or AMD quad-core processors with SSE 4.2 support.
- Other Intel processors (Celeron, Pentium, and Xeon) are compatible if they support SSE 4.2 instructions.
Supported Host Software (DAW)
Any 64-bit VST, VST3, AU, or AAX (Pro Tools 11.0.2 or higher) compatible host application should work. However, due to plug-in host differences between DAWs—and our rigorous standards—Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Ableton Live, Studio One, and Reaper. Softube plug-ins are not tested regularly in non-listed systems. They will likely work if the system requirements are met. However, the manufacturer cannot guarantee a solution for issues in unsupported systems.
Softube strongly recommend using VST3, as some of their plug-ins have features that are not present in the older VST format. Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo. The most recent maintenance release of your DAW application is recommended. AAX DSP is not currently in active development. TDM/VENUE/RTAS are no longer supported. See Legacy Installers.
Important Note: Make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com