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Versatile Analogue Distortion Circuit Emulation
Saturation is a mix engineer’s secret weapon. Add a little to a vocal, and it pops right out of a mix. Sprinkle some on a snare, and suddenly it’s cracky and full of life. Pile it on drum overheads for an aggressive sound that will grab your listeners by their ears. X-Saturator tackles all these tasks and more with aplomb.
Choose from second-order valve-style distortion, third-order transistor distortion, or blend the two for a perfect combination of tube warmth and transistor iron. Use X-Saturator with a light touch or drive it into grotesque, mangled distortion, which can be tucked back with the Shape control or folded underneath a mix with the Wet/Dry knob. Creamy and warm or biting and fierce, you’ve never heard a saturation plug-in quite like the SSL X-Saturator.
Features
- Saturation plug-in with a huge range of distortion characteristics
- Adds pleasing analog-style even- and odd-order harmonics
- Choose from valve saturation or transistor saturation or blend the two
- Control the edge of the distortion, ranging from smooth to hard
- Wet/Dry knob for processing in parallel
System Requirements
Mac
- macOS 11 Big Sur - macOS 13 Ventura (64-bit only) (M1 Mac supported)
- Intel Dual-Core Mac running at 2.4GHz or higher
- 4 GB of RAM minimum (8 GB of RAM recommended)
- AU, VST2, VST3, AAX Native
Windows
- Windows 10 - Windows 11 (64-bit only)
- Intel Core 2 (or comparable) CPU running at 2.4GHz or higher
- 4 GB of RAM minimum (8 GB of RAM recommended)
- VST 2, VST3, AAX Native
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Reviews Summary
While it aims to provide a helpful overview, it may not capture every perspective or detail. We encourage you to read individual reviews to make an informed decision.
Users widely praise the SSL Native X-Saturator for its signature high-quality analog sound, intuitive interface, and versatility in handling everything from subtle warmth to aggressive distortion. Many find it indispensable across drums, vocals, bass, and mix buses, highlighting the musical ability to blend between 2nd-order (tube) and 3rd-order (transistor) harmonics, along with its useful wet/dry mix control. On the downside, a notable complaint is the absence of an auto-gain compensation feature, which makes volume-matched comparisons tedious. Other minor drawbacks mentioned include a lack of oversampling, a limited selection of factory presets, occasional harshness when pushed on odd harmonics, and mixed reports regarding CPU efficiency.
