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Genius expanded.
A secret weapon to some, a hidden treasure to the rest, the Valley People Dyna-mite is a Swiss army knife limiter/expander design with unique character that has inspired engineers to do crazy things with sound for decades.
Now it’s more versatile and easier to use than ever. Adding two hyper-focused plug-ins based on the same sound, we’ve boiled it down into a simple, modern package. Meet Dyna-mite Slam, and Dyna-mite Gate!
Paul Buff built custom gear for Frank Zappa. Need we say more? The cool factor is tangible. By the time he patented his TA-101 VCA (‘The Electronic Gain Control Device’ – the heart of the Dyna-mite) in 1980, his reputation was already unimpeachable.
The Dyna-mite is essentially a limiter or an expander, but through a sophisticated combination of switch positions, it is capable of more or less any manipulation of dynamics from gating to RMS compression, from keying and ducking to ridiculously extreme levelling.
Now, however, you can find all of these magical sonic combinations easily with the two new plug-ins, Slam and Gate. Slam takes care of all of the downward stuff – the compression and limiting – in as close to a one-knob format as Dyna-mite could ever become, while Gate deals with the upward operations – the gating and expanding. You can control bleed in a subtle manner, add punch to a snare, crush a rock vocal into submission, or duck a synth bass around a kick. And you don’t even really need to read the manual.
The original plug-in is included (with a slightly updated look) for experts, but all the joy of the Dyna-mite comes forward in Slam and Gate, in a more focused form than ever.
All three plug-ins come under the same license, for the one price.
Features
- Three plug-ins in one – the original Dyna-mite, plus focused 'Slam' & 'Gate' plug-ins
- Limiting: Peak and average limiting, incl. negative ratio (-20:1) limiting and detector HF filtering (for De-Essing purposes).
- Expanding: Hard or soft with extreme gate settings and detector HF filtering.
- Ducking or Keying modes with external side chain.
- Release ranging from 0.05 to 5 sec/20 dB with Anticipatory Release Computation (ARC) to reduce pumping.
- Analog-modeled output distortion for serious attitude and vibe.
- All the detailed dynamic control – and it’s quick and easy.
System Requirements
- macOS Big Sur 11, Monterey 12, Ventura 13
- Windows 10 (64-bit), Windows 11
- Softube account
- iLok account
- Computer with AU, VST, VST3, and/or AAX-compatible DAW host software
- Internet access (for downloading installers and managing licenses)
Supported CPU Families
- Apple macOS computers with Intel Core i3/i5/i7 or Apple silicon (M1 or newer) CPU. Apple silicon is supported natively.
- Windows computers with quad-core Intel Core i3/i5/i7 or AMD quad-core processors with SSE 4.2 support.
- Other Intel processors (Celeron, Pentium, and Xeon) are compatible if they support SSE 4.2 instructions.
Supported Host Software (DAW)
Any 64-bit VST, VST3, AU, or AAX (Pro Tools 11.0.2 or higher) compatible host application should work. However, due to plug-in host differences between DAWs—and our rigorous standards—Softube only officially test their plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Ableton Live, Studio One, and Reaper. Softube plug-ins are not tested regularly in non-listed systems. They will likely work if the system requirements are met. However, the manufacturer cannot guarantee a solution for issues in unsupported systems.
Softube strongly recommend using VST3, as some of their plug-ins have features that are not present in the older VST format. Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo. The most recent maintenance release of your DAW application is recommended. AAX DSP is not currently in active development. TDM/VENUE/RTAS are no longer supported. See Legacy Installers.
Important Note: Make sure that you always use the latest iLok License Manager. It is not included in the Softube installer but can be downloaded from www.ilok.com
Alan Braxe
"With Dyna-mite, I can go from subtle to extreme settings, the possibilities are very wide."
Joe Chiccarelli
"It puts an amazing front end on the attack of a snare or a tambourine that really makes it speak in a track."
Eric Sarafin
"Dyna-mite ... holy shit! This plug-in sounds exactly as I remember the original. It's so perfectly aggressive, and that's very useful when you want to hammer a part with compression."
