Épica Audio Complete Bundle

THE COMPLETE BUNDLE

The Complete Bundle is the full Êpica Audio lineup in one purchase: Resonant Reverb, Trinity, Andes Echo, Feedback Chorus, Epic Notes, Drivedown, The Hammer II and UFO Filter. Eight tools spanning reverb, EQ, delay, chorus, distortion, compression, filtering and session notes — everything you need to shape a sound from the first take to the final master.

From radio-telescope vocals and 1970s rock rooms to galloping Latin-inspired delays, self-feeding chorus textures, Pi-powered analog grit, zero-latency harmonic EQ, punchy FET-style compression, morphing stereo filters and a notepad built right into your DAW — the Complete Bundle turns your session into a single, cohesive creative chain.

Resonant Reverb

A creative reverb, built on a unique chain

Developed in collaboration with 11-time Grammy-winning producer and engineer Joe Chiccarelli (The White Stripes, The Strokes, Morrissey, U2), Resonant Reverb runs a resonant filter and distortion stage into a plate reverb with an 1176-inspired compressor and wide stereo image, then out through a second clean resonant filter for precise tonal control.

• Pre and post reverb filters with variable Q and harmonic distortion
• Plate reverb with decay from 0.5 s tight ambience to 47s atmospheres
• 58 signature presets from Joe Chiccarelli and other producers

Learn more about Resonant Reverb

Trinity

Precision EQ with harmonic saturation

A zero-latency 3-band tone shaper where every band carries its own musical harmonic drive, turning ordinary EQ moves into expressive, analog-inspired tonal enhancement — as comfortable on the mix bus as it is sculpting bass, drums, synths or piano.

• Zero-latency 3-band EQ with built-in harmonic saturation on every band
• Smooth, characterful curves for both boosts and cuts
• Adds warmth, depth and analog weight across the full frequency spectrum

Learn more about Trinity

Andes Echo

Endlessly creative, rhythmically alive

Andes Echo swaps conventional 1/4, 1/8 and 1/16 delay times for Latin-inspired rhythmic styles — galloping patterns, syncopated grooves, saltillo and saltillo inverso — with dual low-pass filters, built-in saturation and a lush integrated chorus on every repeat.

• Handcrafted Latin-rhythm delay styles alongside standard time divisions
• Dual low-pass filters with saturation for warm, character-rich echoes
• Independently tunable left/right rhythms, feedback and delay time

Learn more about Andes Echo

Feedback Chorus

Lush stereo depth with a twist

Inspired by the Roland Juno-60, Feedback Chorus faithfully models its bucket-brigade delay line for authentic analog warmth, then adds a feedback path the Juno-60 never had — routing the BBD's output back into itself for modulation that ranges from a classic sweep to dense, self-generating, near-flanger textures.

• Faithful BBD chorus modeling of the legendary Juno-60 circuit
• 0–100% Feedback for everything from subtle thickening to metallic textures
• Slow, authentic Juno-style Rate and Depth for wide, vibrato-like movement

Learn more about Feedback Chorus

Drivedown

Distortion with analog soul

Drivedown is a creative distortion unit built around a unique Pi-based algorithm, delivering warm saturation, overdrive and aggressive fuzz across three distinct modes — Warm, Raw and Insane — while keeping the low end solid and the top end open, even under heavy drive.

• Unique Pi-based algorithm for rich, harmonically pleasing saturation
• Three drive modes, from gentle analog warmth to aggressive fuzz
• Preserves low-end punch and high-end clarity on vocals, drums, guitars, bass and synths

Learn more about Drivedown

The Hammer II

Powerful, punchy compression

An aggressive, zero-latency compressor with harmonic saturation woven into the gain-reduction stage itself, The Hammer II adds punch, weight and presence to any source — and gets more intense the harder you drive it, making it a natural for parallel compression.

• Single-knob Comp control — no threshold or ratio to set
• Attack from 1–30 ms and Release from 10–222 ms for punch, control or glue
• Always-on harmonic saturation plus a Color knob for parallel blending

Learn more about The Hammer II

UFO Filter

Unidentified frequencies, unleashed

A stereo filter built around advanced LFO modulation, UFO Filter morphs in real time between Low-Pass, Notch and High-Pass modes while a five-waveform LFO modulates cutoff or resonance, and an integrated saturation stage adds analog-style grit to the signal path.

• Switchable Low-Pass, Notch and High-Pass filter core (20 Hz–18 kHz)
• Five-waveform LFO (Sine, Phasor, Square, Sample & Hold, Random), tempo-synced or free
• Integrated drive stage for warmth through to aggressive saturation

Learn more about UFO Filter

Epic Notes

Your creative companion, right in the DAW

A lightweight notepad that lives inside your session, Epic Notes keeps song ideas, chord progressions, lyrics, take comparisons and equipment settings exactly where you need them — with zero added latency at any stage of production.

• Lightweight, intuitive notepad built for the DAW workflow
• Track mix notes, lyrics, take comparisons and creative goals in one place
• Zero added latency, so it stays open through tracking, mixing and mastering