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u-he Ursome Bundle
The name “Ursome” harks back to a time when Urs was essentially a solo developer. There’s plenty of unsupervised madness to be found here, although some of the rougher edges have since been smoothed out to accommodate a more modern workflow.
ACE and Bazille are aimed at those with a passion for modular synthesis. ACE, short for Any Cable Everywhere, is the older sibling: a semi-modular analogue synthesizer designed to strike the perfect balance between “easy to use but rather limited” and “unlimited sonic power but incomprehensible to mere mortals”. You could say it succeeds rather well.
Bazille is a different beast altogether. Something that could only exist in software. Imagine a traditional cable-based modular synthesizer, complete with LFOs, analogue-style filters and all the usual suspects – but with oscillators based on phase distortion and classic (digital) FM! Yes, there’s a reason its slogan became “Monster from the Deep”: Bazille is capable of wildly experimental, larger-than-life sounds, but can also be surprisingly gentle.
Filterscape and MFM2 have both recently received major makeovers, bringing them up to current u-he standards…
Filterscape is a collection of three plug-ins built around a common feature: a bank of EQ filters that can morph between snapshots or be animated by LFOs and envelope followers, synchronised to song tempo or reacting dynamically to the input signal.
MFM2, short for More Feedback Machine 2, could be touted as all the digital delays you’ll ever need. It can handle conventional delay duties with precise control over each and every aspect, or go completely bananas creating vast reflective soundscapes and dream worlds. If you’re into Frippertronics, you’re in for a treat!
ACE
ACE belongs to a new generation of synthesizers developed with the latest, fastest computers in mind. ACE offers classic modular synthesis and more at a fraction of the cost of dedicated hardware. But like its hardware forebears, you can patch any output into any input: the number of different ways to connect modules together is practically infinite. Needless to say, you will never run out of cables!
At first glance ACE may seem overly simplistic, but remember that virtually anything can be plugged into anything else. For instance, try plugging an LFO into a Filter, then use that filter as an FM source for an oscillator. Crazy routing is possible, endless fun is guaranteed!
Highlights
Semi-Modular Architecture
- Semi-modular architecture, with default routing like ARP 2600
- 25 signal sources, 30+ signal targets
- Use multiples for inversion, amp / ring modulation etc.
Oscillators, Filters & Modulation
- Up to 8 times unison with +/-2 octave detune range each
- Exceptional filters, can self-oscillate
- LFOs can be used as VCOs and vice versa
- Sync, FM, cross modulation
Tap Map & Tuning
- Custom LFO waveform "tap map"
- Microtuning (Scala .tun standard)
- 100% free of Supersaws!
Learn more about ACE
Bazille
Bazille is a large modular system combining digital oscillators with analogue-style filters and modelled effects, with a flexibility that only modular patching can provide.
Highlights
Oscillators, Filters & Effects
- 4 digital oscillators with simultaneous FM (frequency modulation), PD (phase distortion) and FR (fractal resonance)
- 4 multimode analogue type filters with up to 6 parallel outputs each
- 4 modelled effects: stereo delay, distortion, phaser, spring reverb
Modulation & Sequencing
- 2 LFOs with 3 parallel outputs each & 4 ADS(S)R type envelope generators
- Signal processors: Inverter, rectifier, sample & hold, lag generators and quantizer
- 2 mapping generators (waveshapers) with a variety of drawing tools and controls
- 8 x 16-step morphing sequencer & multiplex modules for signal mixing, RM (ring modulation), AM (amplitude modulation)
Workflow, MIDI & Presets
- Single-page alternative skin included & user interface zoom in 10% steps
- Microtuning support (.tun files) & multichannel MIDI support
- Over 1700 presets...
Learn more about Bazille
Filterscape
Please Note: For existing owners of previous versions of Filterscape, please check your u-he account for your free upgrade.
At the core of all three plugins is the distinctive EQ, capable of seamlessly transitioning between 8 different "snapshots". Each EQ band’s frequency and amplitude can be dynamically modulated, even from different sources for each snapshot! With a sleek and future-proof new design, Filterscape has become more visually appealing and more comfortable to use.
Highlights
Filters & Morphing EQ
- 2 multimode filters (lowpass, bandpass, highpass, notch) + NEW in 1.5: 9 additional analogue filter options (2-pole, 3-pole, 4-pole)
- 4-band parametric EQ with five modes (LS-Peak-Peak-HS, 4 Peaks, LP-BP-BP-HP, 4 Bandpasses, Panned Bandpasses)
- 8 morphable snapshots for user-defined EQ settings with modulation options for each EQ band
Modulation, Routing & Delay
- 2 signal mixers and 5 routing options for delay, filter and EQ signal path
- Stereo delay with independent times for each channel
- 2 host-synchronized sequencers (up to 16 steps, blend/glide), 2 host-synchronized LFOs (8 waveforms), and 4 envelope followers
- Overhauled + expanded factory library - improved categorization, volume balancing, larger variety
Filterscape VA
- 2 spectral oscillators with 15 waveform options including wavetables, ring modulation, hard sync, sub-oscillator (3 waveforms) & noise generator
- EQ identical to Filterscape FX, but polyphonic! Plus multimode filter (LP, BP, HP) and 2 effects (delay, chorus)
- 3 LFOs (1 global, 2 per-voice), 3 envelope generators (fall/rise, 4 shape modes) & combined arpeggiator / sequencer
- Polyphonic, duophonic or monophonic (retrigger or legato), plus 200+ new VA presets
Learn more about Filterscape
MFM2
Version 2.5 of u-he’s monster delay plug-in More Feedback Machine is now available. The new version comes with a redesigned GUI, native support for Apple silicon, VST3 and CLAP (the new open source plug-in format), a new input section, new granular and diffusion effects... and quite a lot more.
Highlights
Delay Lines & Routing
- New in version 2.5: input section with gain, filter and transient balance
- 4 delay lines with independent absolute time or tempo-synced modes
- Each delay line has its own multimode filter: 2x lowpass, bandpass, 2x highpass, bandreject or allpass
- 6 default delay configurations or user matrix (freely route signals between all 4 delay lines)
Modulation Sources
- 4 syncable LFOs with 8 waveform options or user definable shapes
- 2 syncable and loopable multi-stage envelope generator (MSEG) modulation sources
- 4-slot modulation matrix with depth modulation from a second source
Effects, Dynamics & UI
- 2 channel-pair effects: soft clipper, bit crusher, phaser, frequency shifter, filter...
- New in version 2.5: granular (pitch shift, reverse delays) and diffusor (reverb)
- 2 channel-pair compressor/limiters (peak or maximize) & new output shield (soft clipper)
- Scalable UI from 70% to 200% and 400+ factory presets
Learn more about MFM2
Mac
- Mac OS X 10.9 or newer (Intel and M1 Mac Supported) (64-bit only)
- AU2, VST2, VST3
Windows
- Windows 7 or newer (32 / 64-bit)
- VST2, VST3
Minimum Requirements
- Host software / DAW
- 1GB RAM, more recommended
- 50MB free disk space
- 1000 × 600 or larger display
- Modern CPU required
- Intel Nehalem or newer, AMD Bulldozer or newer (for Windows / Linux)
- Intel Nehalem or newer, Apple M1 (for Mac)
- Linux - glibc version 2.28 or newer