Ohmicide-S

The king is back

Ohmicide-S is a multiband distortion and dynamics plugin designed for advanced sound design and mixing. It features 111 distortion types based on 37 core algorithms across multiple processing modes.

The plugin offers a 7-band architecture with flexible routing, advanced modulation capabilities, and integrated dynamics processing tools including compression, expansion, filtering, and feedback generation.

The Grand Library of Distortions

• Classics: emulate all sorts of analog amplification, from guitar amp to consoles and turntables.
• Edgy: make your synth leads scream with razor-sharp cubic or v-shaped distortions.
• Wacky: time freeze, chastity belts and a jellyfish = endless possibilities.
• Switch at will between Standard, XXX (even more analog-like behavior) or ODD (deliciously broken).
• 111 algorithms (37 types x 3 modes) self-documented within the UI.

Shape. Texturize.

• Unique two-knob upward compressor/expander to control dynamics…
• … and expose all the hidden textures of your sound once fed through distortion
• Type-specific mod controls per distortion
• Bias with 3 distinct behaviors per family, including our signature ODD mode and its gritty sweeps

Be reasonable. Be unreasonable.

• Gate the noise… or gate the signal.
• Filter out frequencies. Or make them scream.
• Cut the feedback. Or let it roam free.
• Stick to mono. Or to stereo.

Sound surgery

• Split the signal in bands by frequency - or make them parallel.
• Conveniently always keep a low end X band available to be treated separately.
• Pre and post bands to allow for serial distortions shenanigans.

The best preset browser in the biz

• Easy on your memory thanks to highly visual banks.
• Easy on your time thanks to in-UI documentation of banks and presets.
• 108 presets including 30 by the team of Ohmicide experts audio engineers Keep Forest.

Easy live with Macros²

• 4 controllers per preset that can do everything you can think of and then some
• Unlimited mapping, control ranges on both ends as well as response curve…
• …sounds esoteric until you realise you can set them to skim off a bit the high when the gain knob is close to the max. Then you’re using them everywhere.

Modulation? Yes.

• Modulate every audio parameter.
• With every conceivable modulation.
• Modulate the modulations.
• Did you know? Envelope follower and ADSR completely change the distortion game