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VEQ-1A
This two-band EQ has been a studio staple for over 60 years now thanks to its tectonic analog bass and silky smooth high-end. Antelope Audio are now breathing a new life into this beloved classic of top-tier studios and engineers around the globe.
VEQ-1A is not your typical EQ, it offers flexible control over the low and high end and hides many tricks up its sleeve. The unit offers low shelving and broad-bandwidth mid-peak control. VEQ-1A allows for the simultaneous cut and boost of the same frequency, the so-called Pultec EQ trick, which gives the sound a unique quality you can’t get with another EQ. Massive bass, gentle highs, and analog richness – these knobs surely do some vintage magic.
With such a unique design and control set, VEQ-1A is extremely versatile. The unit is equally suited for treating individual vocals, drums, guitar, and synth tracks and for fine-tuning full mixes.
VEQ-HLF
VEQ-HFL is a simple but effective unit for passive low and high cut-off filtering, perfect for eliminating undesired frequencies or for adding a true vintage analog color to your production.
In the era of powerful digital tools, one can wonder what makes this simple and effective filter so special. Equipped with only two knobs: one each for passive low-cut and high-cut filters, each switchable at 10 carefully selected frequency intervals, VEQ-HLF is a true analog gem from the golden era of audio hardware.
The EQ is straightforward, great at what it does, and is the perfect tool for creating space in your mix by eliminating unneeded frequencies at the extremes of the audio spectrum. With its inimitable musical and warm analog, just add VEQ-HLF to your processing chain without even using its filters and you will obtain its peculiar and highly sought-after sound coloration.
VMEQ-5
VMEQ-5 was modeled after the most essential mid-range EQ of the past 60 years. It’s the go-to tool for enhancing guitars and vocals, which will add true vintage punch whether you’re tracking, mixing, or mastering.
Our ears are especially sensitive to mid-range sounds. This is where most of the human voices are and thus we are adjusted to respond strongly to even minor issues in this particular part of the frequency specter. VMEQ-5 is the mid-range's best friend. It was designed to handle everything between 300-5000 Hz. It comes with two peak bands and a dip band, and that's all you need to give your vocals, synth, guitar leads, snare drum, or woodwinds the analog punch they need. Slap this little beast on a full mix to clean up a murky midrange. Feed it anything mid-heavy and it will help you to precisely sculpt and control it in your session.
